Schedule
2007 EPISODE GUIDE
Smith and Jones Judoon on the Moon.
The Shakespeare Code The play's the thing.
Gridlock Caught in a jam.
Daleks in Manhattan Sec's in the city.
Evolution of the Daleks The human factor?
The Lazarus Experiment Keep young and beautiful...
42 Feeling hot, hot, hot!
Human Nature Family problems for John Smith.
The Family of Blood Smith and Joan are under siege.
Blink Don't turn around....
Utopia Jack's back... to the future!
The Sound of Drums Be careful who you vote for.
Last of the Time Lords Help the aged.
Special Features
The Fear Forecasts Our panel rate the episodes.
Confidential Behind the scenes with cast and crew.
Previous Series
Series One From Autons to Anne Droids.
Series Two From Cat Nuns to Canary Wharf.
29 comments:
Cool website dudes!
I absoloutely love doctor who. It is good.
It's not got as many posts as the welcome thing. Well, let's put some useful info here then.
Well, just for fun, i'm giving you some bannanas in pyjamas lyrics! There quite funny!
Bananas in Pajamas, Are Coming Down the Stairs
Bananas in Pajamas, Are Coming Down in Pairs
Bananas in Pajamas, Are Chasing Teddy Bears
'Cause on Tuesdays They All Try to Catch Them Unawares.
No here's another version:
Bananas in Pajamas, Go Up and Down the Stairs
Bananas in Pajamas, Are Kicking Over Chairs
Bananas in Pajamas, Are Chasing Teddy Bears
'Cause on Tuesdays They Try to Catch Them in Their Underwears.
Backyardigans songs:
© 2004-2006 Viacom International Inc. Backyardigans and all related titles, logos and characters are trademarks of Viacom International Inc. NELVANA™ Nelvana Limited. CORUS ™ Corus Entertainment Inc. All Rights Reserved.
If you want to be a pirate,
Get up on your feet.
You can’t be a pirate,
If you’re sitting in your seat.
Swing your arms tough,
And stand kind of low,
And make this noise wherever you go…
Arrr! Arrr! Arrr!
A pirate, a pirate, a pirate says “Arrr!”
It might seem strange, just a bit bizarre,
But they know you’re a pirate,
When they hear you say “Arrr!”
Arrr! Arrr! Arrr!
A pirate, a pirate, a pirate says “Arrr!”
You wear a spare part, a bandana and a scar,
And they know you’re a pirate,
When they hear you say “Arrr!”
The Jolly Roger is the pirate flag.
A skull and some bones on a big black rag.
We’ll fly it on our ship, up above the sails,
And we’ll search for treasure,
And be tough as nails!
Arrr! Arrr! Arrr!
A pirate, a pirate, a pirate says “Arrr!”
If you think we’re noisy, you’re right, we are.
‘cause they know you’re a pirate
When they hear you say “Arrr!”
A Pirate Says “Arrr”
GENRE: Reggae. From The Backyardigans episode “Pirate Treasure”
Music composed by Evan Lurie. Lyrics by McPaul Smith
Don't like backyardigans but my sister does so i'm putting on the lyrics for you.
Well, here's a list of backyardigan's songs:
The Backyardigans Sing Along and Colour
Instructions:
1. Choose from the list of the episodes below by clicking on the link. The Lyrics page will open in a new window
2. Print out the Lyrics.
3. You can sing along while watching the corresponding episode on Treehouse and colour in the picture.
All Lyrics pages listed below are in PDF format and require Acrobat Reader to view them. If you do not have Acrobat Reader you can download it here.
No info available at this time...
"A Pirate Says Arrr"
Episode 1 - "Pirate Treasure"
"Into The Thick Of It"
Episode 2 - "The Heart of the Jungle"
"The Yeti Stomp:
Episode 3 - "The Yeti"
"I'm A Mountie"
Episode 4 - "Defending the Snow Fort"
"Laser Limbo Tango"
Episode 5 - "Secret Mission"
"When I'm Booin'"
Episode 6 - "It's Great to be a Ghost"
"Buffalo Girls and Boys"
Episode 7 - "Riding the Range"
"I Love Being A Princess"
Episode 8 - "Key To The Nile"
"P.U."
Episode 9 - "Knights Are Brave And Strong"
"Rockabilly Lullabye"
Episode 10 - "Viking Voyage"
"The Castaway Song"
Episode 11 - "Castaways"
"You and Me To The Rescue"
Episode 12 - "Super Heores vs. Super Villains"
"Questing Questing"
Episode 13 - "The Quest For The Flying Rock"
"Feeding Time"
Episode 14 - "Polka Palace Party"
"Mystery Lifeguard"
Episode 15 - "Surf's Up"
"One Good Turn, Derserves Another"
Episode 16 - "Eureka"
"Austin's Lament"
Episode 17 - "Race Around The World"
"The Rules"
Episode 18 - "Monster Detectives"
"Drumming Song"
Episode 19 - "Cave Party"
"Tree To Tree"
Episode 20 - "High Tea"
Y'now, i made a little book collection which i am to write.
hERe's the plan, sorry for the typing going weird. These stories are copyright by the way, so no copycatting.
Warfield Collection
8 Books
6 Mini-Stories
Books:
1. Warfield- Cameron, Alex and Rebecca live in the year 3007. When their ship lands on Earth, they must build an army of superheroes to fight against the evil robots. It’s an eventful year in superschool!
2. The Snake Pit- Year 2 begins, but the robots have set a pit full of snakes into the school. A mansion up into space is built, Alex finds out his new powers and Cameron gives new hero Speedy Man a gold-power award. But as the snake’s trap closes in, they have not much time.
3. The Building of the Army- The army continues to build and the robots get stronger. But superrobot Eliz turns into the evil queen! Can they win in their third try?
4. The Venehumans- A strange ship lands on Earth. Out comes Gismo Monstrool, a Venehuman. But the robots take advantadge of the venehuman’s cloning machine, and use it to clone heroes’ in their sleep!
5. The Robotic Death- the Robots attack the school, but they have a new leader, Robotus, Eliz is defeated but can they finally beat the robots?
6. The Flaming Planet- A planet is found in deep space. It is full of an ancient race- the Khonkirieans. It is made of fire, and the robots plan to team with the Khonkirieans and use their power to destroy the school and rule the world. Also, cameron's cousin, sophie western, has to do 3 challenges in a month or all humanity dies.
7. The Memories of the spirits- Eliz’s body is found and recharged. She is alive, the cloning continues, and the robots and Khonkirieans are winning. What’s worse, the robots are using the ghosts of people in the army’s energy and adding their power to their bodies. Also, in a galactic game of athletics- a pig monster who is working for the robots get’s a medal and uses it as a medal, adding ghost energy to it. How will the goodies win now?
8. Ghostwall- The energy of the ghosts is getting stronger- but can the goodies overcome the baddies when they get even more help- from a race called the Boguses?
Mini-Stories
The Bogus Fight
The Iceland
Jungle war Part1
Jungle war part 2
Jungle war part 3
Battle for Khonkiriea
These films are rated 12a and contain moderate scariness.
Warfield- the PS2 Game- Coming soon.
Bullet points on the warfield collection i have written which is not yet published:
1. The first book contains only one robot- the frightning robots falles gringe, a robot created 5000 years ago, who plans to rule the world and build an army of robots.
Chapters in the book-(18)
1. The Johnsons
2. 3007
3. Welcomed by a farmer
4. Tamworth
5. Not enough
6. American waves
7. The army shall build
8. Robotus
9. The curse of the school
10. Attack on hilltop
11. A whole army
12. The cousins are visited
13. Not-so warm welcome
14. The war starts
15. Alex's silver award
16. The Robot's assault
17. Not much time
18. The world needs a saviour
Of course, the johnsons are based on me.
I have made a series of short stories called powerman, about cameron's other adventures. Here's a list of them.
Powerman episode guide
Each episode one hour
Series 1
1. The child from outer space
Powerman meets an alien child who is actually a Khonkirean.
2. The robot army
Powerman fights an army of robots
3. The vampires
In Transylvania Powerman faces Dracula, who forbids him from using his powers.
4. The assassin
An army of assassins from space invade Earth.
5. The future or the past
An alien from the future gives Powerman a quiz and if he gets them wrong his planet blows up. The questions are if a person is from the future or the past
6. Mexico
In eighteenth-century Mexico Powerman meets the Aztecs. A53 gets kidnapped, thought by many to be the gods who kidnapped him.
7. The look-alikes
All of the fretzogoriats look like each other- so who is the leader who Powerman must hear a secret from?
8. The French men
Some French people from the year 40000 invade 21st century Britain. Are they aliens?
9. The people of Galthamar
Women in a spaceship above the planet Galthamar are plotting to rule the world
10. The Khonkirieans’ revenge
The Khonkirieans invade Earth.
11. The scale people
How will Powerman defeat the Khonkirieans?
12. Zeus
In ancient Greece, Zeus the god of thunder is kidnapping athletes.
13. Robots of the Cevin
Robots called the Cevin plan to destroy Earth.
14. The battle of the Cevin
Will Powerman defeat Kevin, leader of the Cevin?
15. Beasts from the bee’s nest
Powerman fights a race of alien bee’s on Jupiter.
16. Monsters of the bog
Powerman faces the bog monsters, and there leader, Bografar.
17. The ice age
Powerman, A53 and Rebecca face a Smilodon in the ice age.
18. The living dolls
Toy dolls come to life.
19. The cowboys
Powerman becomes part of a cowboy gunfight in 1850 Texas
20. The metal feline
The time machine goes of course 50 years after the last ice age they visited, and find robots turning Smilodons into robot cats TO USE IN Wars
Christmas special 1: Blackpool
Bog monsters invade Blackpool tower.
Series 2
1. The giants
Venus and his Venehuman giants invade Earth.
2. Attack!!!!
The Cevin return and invade Earth
3. The orphans
Orphans in Japan are working for Khornelhius.
4. Arthur
King Arthur was not a good king, but an evil genius who controls dragons! Can Powerman stop him?
5. The spybots
The Cevin are looking for a brain for there dead leader’s body.
6. Powerman’s clone
Powerman meets him from another Earth, but the other he is evil.
7. The exhibition
A dinosaur museum comes to life.
8. The ship
Powerman’s ship is haunted!
9. The world of TV
TV characters come to life
10. The Vikings
Powerman and A53 fight THOR.
11. Argh!
A53 lands the time machine on a pirate ship which is thought to be haunted.
12. The clones
All humans have evil versions of them, and the superheroes meet them all!
13. The vulture race
The Earth is invaded by aliens with vulture heads.
14. Scotland
In an underground mine in Scotland, Zombies are plotting something. It is up to A53 to stop them as Powerman has been kidnapped.
15. Atlantis
Atlantis is real! Back in 1st century Greece the people living there (Mermaids) are planning a time battle, and want 21st century earth having found out what’s there!
16. The Moonmen
Moonmen (The ghosts of dead astronauts) invade Earth.
17. The killer locusts
Killer locusts come to Earth.
18. Plane trip
A plane crashes, all dead. The ghosts of the dead ones haunt England.
19. Play toys
The living dolls return.
20. Dulliona
A race of giant dodo birds from Dulliona invades Earth, hoping for energy to suck up from people.
Christmas special: The medallion
In 5000 ad, a pig has a medal that can absorb humans
Series 3
1. Footie
In 3888, Football is taken to the next level.
2. The book
A book of spells is found and the finder turns into a power-hungry witch.
3. Devilzone
Powerman, Ricardo and A53 fight Satan and his dog.
4. The genius
A computer geek plans to rule the world.
5. The ropes of Treyhundazar
Ropes are killing people, but who are behind this?
6. The icemen
An army of ice people plan on ruling the universe
7. The universe invasion
How will Powerman stop the Icemen?
8. The Plague
Back in time, Ricardo gets the plague and Powerman fights evil knights. Powerman must make a cure, and fast.
9. T-Rex
Powerman and A53 are in the middle of a meteor crash in 65million BC.
10. Loch Ness
Powerman fights Bigfoot and the Loch Ness.
11. The plot
The Khonkirieans have a jigsaw that unlocks the universe to be the rulers of the universe
12. The jigsaw
Powerman must destroy the jigsaw, and only a Brachiosaurus can do it.
13. Kevin returns
The Cevin return and are part of the war of the Jigsaw now.
14. The jewels of Hillok
Powerman must get the jewel back from Bigfoot.
15. Pentagon
Powerman meets Dark Clawman, an evil shape shifter.
16. The ten-thousandth ice age
In the future, Powerman sees that there will be many more ice ages.
17. The caves of Roziath
Mars is under attack by cavemen from Pluto.
18. Schoolstation
The local school is under attack.
19. Suka the great
Powerman finds out about Suka, the god of the mountains, and he attacks Sweden.
20. The Greem
They want energy, and there coming for it.
Christmas special: Cars
Cars come to life.
Series 4
1. The crocodiles
Evil alien crocodiles attack a far away space station.
2. Return
The Moonmen return.
3. The prison
Powerman is captured by the Khonkirieans.
4. Terrorists
The Khonkirieans blow up a space station, while heading for earth.
5. Crocodilus
The Crocodilus return.
6. The invasion
How will Powerman stop the Crocodilus?
7. Scorpio
Evil alien Scorpions invade Earth in the far future.
8. Stone
Rock comes to life.
9. Arthur returns
Arthur comes to the future.
10. The Dinosaurs of the future
Khornelhius brings Dinosaurs to the present.
11. Exiton
Exiton seems a beautiful place, until the Roziath invades.
12. The Scorpio curse
Powerman is teleported back in time when scorpions were giants.
13. Jewel war
Clawman is back for the diamond jewel.
14. The detective
Powerman meets a future detective and solves the crime of the Gorrininga.
15. The worms
Giant worms invade Venearth.
16. Venus
Venus is back.
17. Satan’s dog
Satan return’s with an improved dog.
18. Plasma
A Plasma screen TV comes to life, turning baddies big and making monsters come out of it.
19. The circus
A circus isn’t really a circus.
20. Cevin won’t give up
The Cevin return with new technology.
Christmas special: Zombies
Series 5
1. Scales of Death
Powerman must face George and Braderfors in a battle.
2. Welcome to the jungle
Zoo animals in Wales attack the local tourists.
3. The gentleman
A good man is really alien.
4. The dawn of time
Back Billions of years ago, aliens are up to something.
5. The Khonkirean invasion
The Khonkirieans invade.
6. War on Earth
The invasion continues with Powerman right in the middle of it.
7. The birth of the Cevin
Powerman must stop new Cevin armies from being made.
8. Gold
A city of gold on Mars is invaded by the Cevin in 3300.
9. Venad
Venad is an alien detective, or so they think.
10. The mummies
Powerman and A53 go to ancient Egypt.
11. The assassination
Powerman is accused of killing Sir Lacenburg (Vice Prime minister).
12. Worship Me
Powerman is treated as a God on Mars.
13. The robots
The Khonkirieans send a robot army to Earth.
14. China
China is attacked by the Scorpio.
15. The deserts of Keykajing
On the planet Keykajing There is a desert full of monsters.
16. The robot parrot
A parrot from space turns out to be controlled by Dark Clawman.
17. Rockman
Rockman is the leader of the rock people.
18. King?
Is Powerman king of Venearth? Or is his evil clone?
19. Kraken
Powerman fights a space Kraken
20. Shadow
A man called shadow (WHO IS A SILHOUETTE) and his armies invade Earth.
Christmas special: Holiday
Having a nice time at the beach, Powerman meets a race of killer sharks.
Series 6
1. The cactus
A cactus comes to life and attacks the people of Australia.
2. Deep space
In deep space, the dimension masters are looking for energy.
3. The titanic
The titanic was actually sunk by the Greem.
4. Death
Ricardo must sacrifice himself to stop the Greem.
5. Zombie
Ricardo is brought back to life by Bografar.
6. The Marathon of death
Braderfors promises to die if Powerman defeats him in a marathon, without using his powers.
7. Anti-Clockwise
An alien clock-Man attacks Earth.
8. The moaning Lisa
Back in 1990, the Mona Lisa is giving people in Paris Viruses.
9. Under the sea
The sharks return.
10. Jellyfish
Who are the alien Jellyfish and what do they want?
11. Starcrew
A crew of men on a space pirate ship in 2100 are evil.
12. Garlic Bread
Powerman must defeat vampires with Garlic Bread.
13. The lionmen
Evil lions attack Earth.
14. Knight
A statue of a knight comes to life.
15. Math
The computer geek returns.
16. The red moon baby
A red race of aliens is ruled by a baby.
17. Dimensions of Death
Monsters come from a dimension where Khonkirieans rule the universe.
18. The Cleopatra war
In the future, Cleopatra comes back to life and starts a war, Egypt vs. Rest of the world.
19. The hosts
Every year the Red Moon baby needs to eat 1 sacrifice, And he wants a human.
20. The Robodroids
Robodroids, cousins to the Cevin, invade Earth.
Christmas Special: Attack of the brains
A race of Brains in Plastic suits invades Earth.
Series 7
1. The plants
The living cactus brings plants to life.
2. The lighthouse
Aliens live in a Scottish lighthouse.
3. I’m a host
Powerman becomes host for the virus of the malban, alien spiders.
4. The Taj Mahal
The Taj Mahal is haunted by ghosts.
5. Resurrection
The snakeofths (Alien Snakes) have the key to bringing things back to life.
6. The sun
Something is living on the sun, and it’s fiery!
7. The lord of the underworld
A place called underworld is ruled by Khornelhius and his mudmen.
8. The guards
The Underworld is guarded by invincible robots, how will Powerman get in?
9. The ship
The Bog ship crash-lands in London.
10. Play soft
Bografar attacks a soft-play area.
11. The scars of Jordas
Jordas, an evil alien lord, Gives humans an infection of Scars.
12. The pit
What evil force is in the pit?
13. The drug
Gismo is drugged with an infection, Khonkiriea Disease.
14. The Greem return
The Greem return and try to rule the milky way galaxy.
15. Chreona
Chreona is an evil Scorpio. He wants earth.
16. The teenagers of death
Two Alien teenagers plot to destroy Earth.
17. The comet
The Khonkirieans Try to get a comet to crash on Earth.
18. Torch
An alien wants a special torch that will lead him to the ultimate treasure, being ruler of the universe.
19. The girl monster
Powerman meets a girl who can transform into a monster.
20. Me vs. The other me
Powerman fights his exact clone, made by George Elektrik
Christmas special: Bohjak
Bohjak, lord of the Greem terrorises India.
Series 8
1. Kevin’s resurrection
Kevin, who died along with the Cevin, comes back to life with a plan to ruler all the universe.
2. Trial
Powerman is put on trial by Night girl, who turns good at the end by a special medicine.
3. The crazy mind of Blob
A crazy alien scientist called Blob attacks a London Fire station.
4. Mistake
Doctor Jim accidentally created an evil monster, Great Seftan, who then creates an army ready to rule the world.
5. The power of Tentata
A man called Tentata challenges Powerman for his life. Tentata is actually Khonkirean.
6. Istanbul
In May 2005, The football monsters invade the Liverpool vs. Ac Milan football match, trying to help Milan, who they support, win, and they’ll destroy the Liverpool team to do it.
7. The trap
Powerman falls through a trap door that leads to a volcano, and A53 must save him.
8. The frogs
A frog and his alien race want to rule Galaxy 99, the water galaxy, home to the peaceful tunamen.
9. The force of plants
The Tentacus, giant living flowers, attack the Renchere, space pirates, wanting there galaxy, galaxy 66.
10. The fire of London
In the fire of London, the tuna men come to help out. But this causes the alien frogs to attack.
11. The funeral
At Braderfors funeral in the present day at Khonkiriea, weird things happen and Powerman is sent to sought them out.
12. The Tigers
Sabre-Tooth tiger skeletons come to life in the year 2006 in a museum.
13. Concorde
Planes come to life, and an alien races called the concords are behind it.
14. The theme park
In a theme park a strange warrior is breaking rides, causing the people on them to go flying to a teleport into a dimension of death.
15. The Bog monsters return
Bografar dies, so his servants must attack Earth on there own.
16. The Yughij
The Japanese Yughij monster tries to rule Japan.
17. The cows
Alien cows attack a space station.
18. Sun beast return
The sun beast returns.
The mini-stories haven't the best ideas as the longer ones.
seven whole series! i should make them a tv program!
About my holiday to blackpool.
17TH February 2006
On the February half term me and my family went to a cottage 6 miles from Blackpool for holiday. It took 3 hours to get there. The cottage had 3 bedrooms; ours had an en-suite. It had a kitchen, lounge and dining area all in one. It had a big bathroom with a shower and a bath.
Because we bought our PS2 with us, we could play our new game, Lego Star Wars: The Video Game. It was really cool and we completed loads of levels.
On the first night we went to the Wacky Warehouse for dinner. I shared fish & chips with Rebecca, Alex had a burger and so did dad. Mom had stake & ale pie.
At the end we shared a family pudding, the chocolate monster. It had chocolate buttons, flakes, cream, chocolate and vanilla ice cream, cake and crunchy pieces. Surprisingly, Rebecca ate the most.
The next day we went into Blackpool. The first thing we did was go to the Doctor Who museum. I saw:
• Daleks
• Davros
• Cybermen
• The Abominable Snowman
• Slyvene
• K-9
• Autons
• And much more!
Dad stood inside a Dalek and spoke. He sounded like a Dalek! The characters we saw were actually the real costumes used in the TV series for 43 years! The real set for the Tardis Was there. There was a gift shop but we didn’t buy anything.
Then we went to the Funland arcade. I won a pink Dolphin for Rebecca.
Then we all went to the shop. Alex and I bought 4 Star Wars figures: Han Solo, Luke Skywalker, Boba Fett and Han Solo in Hoth gear. Rebecca bought Barbie rings.
Later on we went to Morrisons to do our food shopping. Me and Alex bought Sky High on DVD. After Dinner we watched Sky High. The next morning we completed Lego Star Wars.
A few hours later we went to the Blackpool Zoo.
At the start of the zoo there was a Dinosaur Safari. It had lots of giant dinosaurs made of plastic. We saw;
• T-Rex
• Triceratops
• Woolly Mammoth
• Smilodon
• And much more!
Then we went to the zoo and we saw lots of animals like:
• Tigers
• Lions
• Owls
• Orang-utans
• Lemurs
• Otters
• Monkeys
• And much more!
The pelicans there almost attacked mom!
After the zoo we went to the gift shop. Alex bought a toy Pteranodon. I bought a stationery set.
Next we went to the hitchhiker’s guide to the galaxy exhibition. It had the real costumes that the actors wore!
That night we watched Boo, Zino and the Snurks.
The next morning on Lego Star Wars we unlocked General Greivious and Darth Sidious. Later on we went to the sea life centre and saw:
• Sharks
• Flounders
• Rays
• Crabs
• Lobsters
• Sea Urchins
• Jellyfish
• Catfish
• And much more!
I've written enough here.
Ahh, some warfield. Here's the snake pit final synpnosis. Cameron returns for a second year in Power School. Alex and Rebbecca have took their power test, and they are both gold grade. Cameron leaves the school to alex for a month, while he goes on a conference of power people. This includes Hilda Morg and Speedy Goniganz. Hilda states that Cameron should take over as head of the ministry of power. Cameron accepts, and goes back to the school. He hires new heroes- Sparky Devornham and Wallary Mcstevens. Alex opens up a portal to a firey dimension where he obtains fire powers. Hilda visits the school, but is killed by a robot called 07 Gouching Monjiit. 07 is destroyed by Rebbecca, and she swaps her super powers forblack-belt agility and the tiger-morph ability. Then, a group called the permanent abilities break into the school, and start telling people of a snake pit. Then, as they finnnaly leave three days later, the robots break in, and threaten to open a portal to the snake pit. Eliz, a hero with the power to generate forcefields, gets mind washed by the robots, and she is robotised and elected as queen of robots. She opens the portal regardless, and the snakes breakout a disease of venom on the school, even killing the group of permanent abilities. The school has no choice but to fight. The mayor of the town- Glias Nyve, is killed and super hero Rhianne Zelma takes over as mayor. She saves Rebbecca from the snakes and they become friends. Rebbecca finds out about more powers that she has- invisibility. But in a desperate battle with the snakes, Rebbecca falls into the pot of secrets, which gives rhianne the invisibilty powers, replacing rhianne's ice powers. Rebbecca is put in hospital, and Cameron closes the portal. Alex deals with the final few snakes, with help from his friend Eddie Hunters. Eliz escapes, and the year is over.
Think its good?
A treat- a whole episode of Torchwood!
TORCHWOOD
1X01: EVERYTHING CHANGES
ORIGINAL AIR DATE IN UK: 10/22/2006
TRANSCRIBED FROM DL
Written by: RUSSELL T DAVIES
Directed by: BRIAN KELLY
Producer: RICHARD STOKES
Transcript by Intrepid
Courtesy of http://www.kilohoku.com/
As a courtesy, do not archive this transcript without written permission from the Transcriptionist.
==========================
DISCLAIMER:
==========================
"TORCHWOOD" and other related entities are owned, (TM) and (c) by Russell T Davies, Julie Gardner, BBC Wales Production in association with the Canadian Broadcasting Corporation, All Rights Reserved. For Fair Use, for entertainment and for educational purposes only. This transcript was made without their permission, approval, authorization or endorsement. Any reproduction, duplication or distribution of this material in any form is expressly prohibited. It is absolutely forbidden to use it for commercial gain.
CONDITION OF USE: (1) Credit; (2) Do not alter the content of this file. Leave the headers/disclaimers intact because it lists all those who have made this transcript possible for your enjoyment. (3) Provide a link back to the site where this file originated: http://www.kilohoku.com/
Contact the Transcriptionist at intrepidly002@yahoo.com
==========================
SUMMARY: Gwen meets Jack Harkness and Torchwood.
==========================
TORCHWOOD
1X01: EVERYTHING CHANGES
==========================
THIS PROGRAM CONTAINS SOME STRONG LANGUAGE.
FADE IN:
EXT. CARDIFF CITY LIGHTS (STOCK) – NIGHT
(Stock images of Cardiff city lights. Beautiful.)
TOP VIEW DOWN
(The city streets.)
ZOOM DOWN TO:
EXT. LLANGYFELACH LANE -- BACK ALLEY – NIGHT
(A DEAD BODY on the ground in the dark. The lights turn on. It’s of a young man. Rain pelts down on the body and on the crime scene. The investigators are there dressed in standard white and blue booties.)
OFFICER: (o.s.) Yeah, everything is, uh, under control at the moment. SOCO are on the scene, over.
(Next to the body is evidence marker #1. The investigator puts an item next to the body and he walks away. The lights surround the body only. There are several investigators in the alley taking out and setting up their equipment.)
(The end of the alley is blocked by police cars.)
(An officer is holding a cup of coffee. PC Gwen Cooper grabs the cup from him. The police are wearing yellow rain jackets with HEDDLU POLICE on the back.)
GWEN COOPER: Ooh, sweetheart.
POLICEMAN 2: Gwen, I've got enough, you didn't order.
GWEN COOPER: Well, I've only just arrived, so tough.
POLICEMAN: (o.s.) Well, what do I do now?
(Gwen heads for the crime scene. She ducks under the tape and stops next to her partner, Andy. They watch the investigators work.)
GWEN COOPER: Who is it?
ANDY: I dunno, some bloke.
(Gwen sips from her cup.)
ANDY: You going to Slimbo's on Friday?
GWEN COOPER: What is it, drinks?
ANDY: Bit of a pizza, I think.
GWEN COOPER: Might do, yeah.
(He nods.)
(An officer walks up to the investigators and talks to them. They start packing up their things and they don’t look too happy about it.)
ANDY: All right. What's happening there, then?
(The investigators grab their equipment and head out. The officers clear the scene including Andy and Gwen.)
OFFICER: Yeah, SOCO are, uh, leaving the scene, over.
(SOCO leaves the scene. Andy and Gwen are forced to move back.)
OFFICER: Move back, if you could, thank you.
OFFICER: Back you go, that's it, back you go.
GWEN COOPER: Hey, what's going on?
(They duck in the tape. Gwen veers off and talks with SOCO standing on the side.)
GWEN COOPER: Excuse me, sir. What is it? What's happening?
SOCO: Buggered if I know. It's orders from above.
GWEN COOPER: But the body's still in there though, isn't it? We can't just leave it.
(She points to the body in the middle of the now empty alley.)
SOCO: Move back, they said, clear the site. Special access, they said.
GWEN COOPER: For who?
SOCO: Torchwood.
(A black SUV pulls into the alley and stops. The doors open and a group of four individuals exit the SUV – Jack, Suzie, Toshiko and Owen. They button up their coats and head for the dead body.)
(They look very impressive. Gwen and Soco watch them as they pass by.)
GWEN COOPER: Who's Torchwood?
SOCO: Special ops or something. (He looks at her coffee.) Is that hot?
(She gives him the cup.)
GWEN COOPER: Ah, yeah. Have it. But they're not allowed in there, they could contaminate the evidence and all sorts. I mean, how come they ... ?
SOCO: (interrupts) Don't ask me, there's no procedure any more. It's a fucking disgrace.
(He turns and leaves with Gwen’s cup of coffee. Gwen watches as the group gather around the body and crouch down. One of them opens their kit. Jack turns and looks around the area.)
(Gwen looks around the area. Next to the alley is a large parking structure high and close enough to watch what’s going on above the group. Gwen turns and heads for the parking garage.)
INT. PARKING GARAGE -- STAIRS – CONTINUOUS
(Gwen climbs up the parking garage stairs.)
INT. PARKING GARAGE – 5TH FLOOR – NIGHT -- CONTINUOUS
(Gwen reaches the fifth floor and runs to the side. Looking over the railing, she watches Torchwood work on the body.)
EXT. LLANGYFELACH LANE -- BACK ALLEY – NIGHT
(The group is crouched around the body while Jack remains standing.)
JACK: There you go. I can taste it. Estrogen. Definitely estrogen. You take the Pill, flush it away, it enters the water cycle, feminizes the fish--
(Suzie takes a metal glove out of the case. She slips it on her right hand. Toshiko is looking at her own equipment. Owen has a digital camera as he records them.)
JACK: -- it goes all the way up into the sky, and then falls all the way back down on to me. Contraceptives in the rain. Love this planet. Still, at least I won't get pregnant. Never doing that again.
(He turns and looks at the others.)
JACK: How's it going?
(Suzie is looking at the glove.)
SUZIE COSTELLO: Nothing yet. It's got to connect, I've just got to feel it.
(Owen leans in close.)
OWEN HARPER: Then hurry up and feel it! I'm freezing my arse off here.
SUZIE COSTELLO: I can't just flick a switch, it's more like access. It grants me access.
OWEN HARPER: Whatever that means.
SUZIE COSTELLO: It's like ... (The glove clicks and moves.) Oh, oh, oh!
(Suddenly blue lights in the palm of the glove activate. The lights around the body flare a little brighter.)
JACK: Positions.
OWEN HARPER: If I get punched again, I'm punching it right back.
JACK: Just, concentrate. Suzie?
(Suzie gently holds the dead man’s head in her gloved hand. The sounds around them stops. The rain is still falling, we just don’t hear it anymore. The lights surrounding the body grow brighter.)
(After a moment, the man gasps for breath.)
(High above them, Gwen watches.)
(John Tucker looks around at the group.)
JOHN TUCKER: (scared) There was ... What was? I was ... Oh, my God, I was going home.
TOSHIKO SATO: Listen to me, we've only got two minutes so it's important that you listen, okay?
JOHN TUCKER: Who are you?
TOSHIKO SATO: Trust me. You're dead.
JOHN TUCKER: How am I dead?
OWEN HARPER: You were stabbed.
JOHN TUCKER: I'm not dead, I can see you.
TOSHIKO SATO: We've brought you back but we haven't got long, I'm sorry but you've got to concentrate, who did this to you? What did you see?
JOHN TUCKER: Why am I dead?
TOSHIKO SATO: Who attacked you?
JOHN TUCKER: I don't want to be dead.
SUZIE COSTELLO: Sixty seconds.
TOSHIKO SATO: You've got to think, just focus on me. What was the last thing you saw?
(Jack takes a deep breath and exhales.)
JOHN TUCKER: I didn't see any ... I don't know.
TOSHIKO SATO: Who killed you, did you see them?
JOHN TUCKER: I don't know. There was ... something behind me.
OWEN HARPER: Police said one stab wound in the back.
TOSHIKO SATO: So you didn't see anything?
JOHN TUCKER: No.
(Toshiko looks at Jack. Suzie looks at Jack. John looks at them.)
JOHN TUCKER: What happens now?
SUZIE COSTELLO: Thirty seconds.
TOSHIKO SATO: But he didn't see anyone.
SUZIE COSTELLO: Don't waste it.
TOSHIKO SATO: What else do I say?
(Jack kneels down.)
JACK: What's your name?
JOHN TUCKER: John. John Tucker.
JACK: Okay, John. Not long now.
JOHN TUCKER: Who are you?
JACK: Captain Jack Harkness.
(Gwen heard that.)
JACK: Tell me ... what was it like when you died? What did you see? (John doesn’t understand the question.) John. Tell me what you saw.
SUZIE COSTELLO: Ten seconds.
JOHN TUCKER: Nothing. I saw nothing. Oh, my God. There's nothing.
(And with that, John dies. The lights around the body dim a little. And it rains again.)
OWEN HARPER: Shit. I said it was stupid, telling him he was dead.
TOSHIKO SATO: Well, you try it.
(Toshiko gets to her feet.)
OWEN HARPER: "Trust me," like that's gonna work.
(Owen gets to his feet.)
JACK: Told the last corpse he was injured, he wasted the whole two minutes screaming for an ambulance.
(He glances at Toshiko. Toshiko looks down at the body.)
JACK: Maybe there's no right way of doing it.
(Jack looks up directly at Gwen.)
JACK: What do you think?
(busted. Gwen gasps and pulls back. She takes a step back, pauses, then she runs across the garage toward the stairs.)
EXT. CARDIFF STREET – NIGHT – CONTINUOUS
(Gwen runs back out onto the alley. Various cuts of Gwen, taking it all in and having a hard time believing what she just saw.)
EXT. CARDIFF (STOCK) – NIGHT
(Establish. It’s night. And it’s Cardiff.)
INT. GWEN’S FLAT – LIVING ROOM -- NIGHT
(The door opens and Gwen returns home. She’s thoughtful as she puts her umbrella down in the foyer.)
(She heads inside.)
GWEN COOPER: You still up?
RHYS WILLIAMS: In here.
(She walks into the living room and finds Rhys on the sofa.)
RHYS WILLIAMS: They said on the news, murder in the city centre, were you there?
(She sits next to him and kisses him on the forehead.)
GWEN COOPER: No, I dunno, nothing to do with me.
(He nods.)
GWEN COOPER: How come you're still up though?
RHYS WILLIAMS: Banana Boat came round. He was saying he's got plans, he's off again next summer.
GWEN COOPER: How come you're not pissed then?
RHYS WILLIAMS: No, no. We had a cup of tea. He's read this thing about diabetes. Me and him having tea, that's middle age, that is. There's some Chinese in the fridge.
GWEN COOPER: No, I'm knackered. You coming to bed?
RHYS WILLIAMS: I'll just finish here. (serious) This man's found his sister.
(Rhys and Gwen look at the telly.)
GWEN COOPER: I'll see you in a minute.
(She gets up and heads off.)
INT. GWEN’S ROOM – NIGHT
(It’s the middle of the night. Rhys is fast asleep. Gwen is still awake and thinking about what she saw that night.)
EXT. CARDIFF (STOCK) – DAY
(It’s the next day. It’s Cardiff.)
EXT. CARDIFF POLICE BUILDING (STOCK) – DAY
(Establish.)
INT. CARDIFF POLICE -- DAY
(Gwen walks in. Yvonne is coming down the stairs, a large stack of file folders in her arms.)
GWEN COOPER: Von, can you me a favor? Can you do a search for me?
YVONNE: Oh, join the queue.
(She doesn’t stop. Gwen heads up the stairs.)
GWEN COOPER: It's a ‘Captain Jack Harkness’. Could you check him out?
YVONNE: I'm busy. There's proper channels, Gwen. What sort of Captain?
GWEN COOPER: Don't know. Just Captain.
(Yvonne continues on.)
YVONNE: If I've got time.
GWEN COOPER: Thanks!
YVONNE: (doesn’t look back) If!
(Gwen walks out of camera frame.)
INT. CARDIFF POLICE -- CONFERENCE ROOM -- DAY
(There’s a group of detectives going over the photos on the victim boards. The Chief Detective points to ‘VICTIM 1’ SARAH PALLISTER.)
DETECTIVE 1: Sarah Pallister, 72, murdered in her front room. Rani Ghosh, 45, murdered in Robintree Alley.
(He points to a second victim, VICTIM 2 "RANI GHOSH.")
(Gwen walks into the room carrying a tray of coffee cups. She walks around offering them to the detectives.)
DETECTIVE 1: And now John Tucker, 19, murdered in Llangyfelach Lane. So far, there's absolutely nothing linking these three victims, apart from the way they died. As far as we can tell, all with the same weapon. A blade, approximately eight inches long, three inches deep.
DETECTIVE 2: Two women were stabbed from the front, but John Tucker was stabbed from behind. What does that tell us about the killer?
DETECTIVE 1: That he's a coward.
EXT. STREET – DAY
(An officer car is parked on the side of the road. Gwen and her partner Andy get out. )
GWEN COOPER: But those people last night, the people in the car, who were they? What's Torchwood?
ANDY: Dunno, special ops.
GWEN COOPER: Yeah, but what does that mean?
ANDY: Bet you ten quid they're DNA specialists. It's all DNA these days, like that CSI bollocks. CSI Cardiff, I'd like to see that. They'd be measuring the velocity of a kebab.
(They head for the bar.)
INT. BAR -- CONTINUOUS
(The door opens. Andy and Gwen enter the bar in the middle of a brawl.)
ANDY: (shouts) Thank you very much!
ANDY: (shouts) Break it up! Break it up! Thank you!
(Andy and Gwen get into the middle of the brawl trying to break it up. They push and pull. Gwen latches onto a man’s arm, trying to get him to let go of the man he’s holding. He pushes her off his arm.)
(Gwen hits her head against the wooden wall.)
GWEN COOPER: Ow!
(The brawl continues. Gwen can’t get up.)
INT. HOSPITAL – ROOM -- DAY
(Gwen is in the hospital getting her wound tended to.)
GWEN COOPER: Ow!
INT. HOSPITAL – HALLWAY – DAY – CONTINUOUS
(Gwen walks along the hallway. She gingerly touches the back of her head.)
OVERHEAD: (p.a.) Dr. Roberts to ME. Dr. Roberts to ME. Thank you.
(She just happens to look up. She sees someone that looks like Jack running up the stairs. He’s wearing a long blue trenchcoat and moving quickly.)
(Gwen follows.)
INT. HOSPITAL – STAIRS -- CONTINUOUS
(Gwen runs up the stairs. She looks up and sees the man running up the stairs. She continues to follow him.)
(She reaches the top and sees that the corridors have been sealed off. She hears a door slam shut. She hurries down the stairs a little and calls out to the porter walking up.)
GWEN COOPER: Excuse me. Sorry.
(The porter looks at Gwen.)
GWEN COOPER: It's all sealed off up there. Who did that?
PORTER: Thought it was you lot.
GWEN COOPER: But what's it for, what's happened?
PORTER: Well, I don’t know. Nine o’clock this morning, it was all sealed off, they never said. Chemicals or something.
(He turns away. Gwen walks up to the seal and considers it a moment. She enters the corridor.)
INT. HOSPITAL – CORRIDOR -- CONTINUOUS
(The corridor is empty. She calls out.)
GWEN COOPER: Hello?
(At the far end of the corridor, someone walks out of a side room. A bi-ped about the size of an adult human and wearing a jumpsuit. From this distance, it might even be mistaken for one, but its not.)
GWEN COOPER: Sorry, I'm just looking for someone.
(The Weevil turns and looks at Gwen. It doesn’t answer. Gwen starts to head closer to it. The weevil doesn’t move. The closer she gets, the stranger the creature looks to her.)
GWEN COOPER: (mutters) Right, yeah. Clever. (louder) Anyway, I don't know if you saw a man come through here - a tall man, in one of those big sort of military coats.
(The weevil still doesn’t answer her. Now, Gwen can clearly see that it doesn’t look human. Still, it could be a mask.)
GWEN COOPER: Okay. If you could answer? This is official business.
(The closer she gets, the better she can see the weevil. It definitely doesn’t look human. She approaches it cautiously.)
GWEN COOPER: You all right? (She smiles and points to his face.) That's good. That's a good mask sort of thing.
(The weevil still doesn’t answer her.)
GWEN COOPER: Look, I'm sorry if I'm interrupting something, but ... I think we can stop this now, okay?
(The weevil looks at her.)
GWEN COOPER: It's all very well playing silly buggers, but I'm busy, all right? Now, I'm looking for a man in a big grey coat. I said we can stop being silly.
(The weevil openly hisses at her.)
(At the end of the corridor, the porter enters.)
PORTER: Ah! There you are, I did ask when I saw Dr Mahib cos I thought it was him who said about the police, --
(Gwen turns and looks back at the weevil. The porter heads for them.)
PORTER: (rambles) But he said no, then I said about the chemicals but he said don't be stupid, what chemicals? So I don't know, could be anything, who've you got with you there then? So much for sealing it off. (He sees the weevil.) Ooh, ha! There's a face! Nice one. Hey, I tell you mate, you should try plastic surgery. Not on the NHS mind you! (to Gwen) You all right?
GWEN COOPER: Yeah.
(The porter looks at the weevil and heads closer.)
PORTER: Bloody hell, that is brilliant. That's like, em, Hellraiser. That's first class, that is. (He points to the weevil’s teeth.) Look at that! That! It's just like real teeth. Don’t it?
(The weevil grabs him and bites the porter’s neck. Blood spurts out.)
(The porter screams.)
(Gwen is stunned. Jack steps out of the lift. He looks at the weevil and Gwen. He grabs her and starts running down the corridor with her.)
JACK: Go! Go! Go! Go! Go! Go!
(Adrenaline on overdrive, Gwen turns and runs. Behind them, Toshiko, Suzie and Owen are spraying the weevil with something trying to detain him. The weevil drops the porter and covers his eyes with his hands.)
TOSHIKO: Get it down! Get it down! Cuff it!
OWEN HARPER: Down on the floor!
(Gwen runs on her own. Jack stops and heads back to the others.)
(Suzie puts a hood over the weevil’s head.)
INT. HOSPITAL – STAIRS – CONTINUOUS
(Gwen runs down the stairs.)
INT. HOSPITAL – GROUND FLOOR -- HALLWAY – CONTINUOUS
(The doors open and Gwen enters the busy hospital corridor. She slows down as she walks past the doctors, nurses and patients. Reaching the door, Gwen runs outside.)
EXT. HOSPITAL PARKING LOT – CONTINUOUS
(Gwen doubles over as she catches her breath. She looks up at the tall hospital building.)
CUE SOUND: CAR STARTING & ENGINE REVVING
(Gwen runs toward the sound and is nearly run over by the black SUV, horn honking for her got get out of their way, as it makes the turn and tears across the parking lot. Gwen runs after it, back to her own car. She’s not going to let them get away.)
(She gets into her car and takes off after the SUV. She passes ANDY who is eating from a bag. He looks surprised to see her leave without him.)
ANDY: Oi!
EXT. CARDIFF HIGHWAY (STOCK) -- DAY
(Beautiful shot of the highway.)
EXT. CARDIFF BRIDGE (STOCK) – DAY
(Another wonderful shot of the highway bridge.)
TOP VIEW DOWN
(Gwen follows the Torchwood SUV.)
INT. CAR (TRAVELING) -- DAY
(Gwen calls it in.)
GWEN COOPER: Registration - Charlie Foxtrot Zero Six Foxtrot Delta Uniform.
POLICEMAN: (from radio) Charlie Foxtrot Zero Six Foxtrot Delta Uniform. Um, hold on. I think Yvonne wants a word.
INTERCUT WITH:
[DMV]
(Yvonne puts the headset on. They’re following Gwen’s police car on the large wall monitor.)
YVONNE: No sign of a Captain Jack Harkness.
GWEN COOPER: Did you search outside Cardiff?
(They approach and enter a tunnel.)
YVONNE: (scoffs) No, that never even occurred to me. Of course I did. I went nationwide. There's about fifteen Jacks and Johns with that surname, none of them's a captain.
GWEN COOPER: I suppose he could've made it up.
YVONNE: The only Captain Jack Harkness on record was American.
GWEN COOPER: That's it, he's American!
YVONNE: Which you forgot to tell me.
GWEN COOPER: So who is he?
YVONNE: American volunteer, Royal Air Force, 133 Squadron. Except he disappeared. Vanished off the records. Presumed dead.
GWEN COOPER: When was that?
YVONNE: 1941. At the height of the Blitz. On the morning of January 21, 1941, Captain Jack Harkness failed to report for duty, never seen again, until now. What's going on, Gwen, you seeing ghosts?
(They exit the tunnel. Gwen continues to follow them.)
[EXT. CARDIFF (STOCK) – DAY]
(Beautiful shot of the area.)
[EXT. MILLENNIUM CENTRE – DAY]
(The Torchwood SUV turns into the drive and drops off four people. Gwen stops her car and gets out.)
GWEN COOPER: (shouts) You lot! Oi! Torchwood!
(They ignore her and continue. Gwen follows. A security guard intercepts her.)
SECURITY GUARD: Oi! You can't leave that there.
(She turns to look at him as she continues to follow Torchwood.)
GWEN COOPER: Police.
SECURITY GUARD: I can see that, love, and you're still not leaving it there.
(When Gwen turns to look, the Torchwood people are gone.)
SECURITY GUARD: I'm talking to you. Excuse me! Move your bloody car ...
(Gwen ignores him and walks along the water structure. No one’s there. No one as far as she can see.)
INT. GWEN’S POLICE CAR (PARKED) -- DAY
(It’s raining outside. Gwen is sitting in the car and talking with an officer on the phone.)
GWEN COOPER: Did you get anything on that registration?
OFFICER: No such number.
GWEN COOPER: (sighs) What does that mean?
OFFICER: It doesn't exist. Double checked with Swansea, triple-checked, there's nothing, no such vehicle. But Temple's been asking about you, Gwen. Are you in trouble?
(The car door opens and Andy gets in. He’s wet and he’s pissed.)
ANDY: I have walked. I have bloody walked.
(He looks at her.)
EXT. MILLENNIUM CENTRE – LATE DAY
(Gwen looks around the water structure, trying to convince Andy what she saw. Andy’s not convinced.)
GWEN COOPER: They were here, and then they were gone. And look, there's nowhere to hide. They just disappeared.
ANDY: Temple's not just livid, he's doing his nut.
(Gwen walks up to Andy.)
GWEN COOPER: There was a man, I'm telling you, there was this porter, he was in a porter's uniform, and he was killed, or at least he was injured, he must've been injured, right in front of me, this man in a mask, sort of lashed out, and ...
ANDY: And I've told you, all hospital staff, present and correct.
(Gwen paces.)
GWEN COOPER: I saw it.
ANDY: That's it? Gwen, sweetheart, think about it, what sort of story is that? You're not well. Come with me. I'll take you home.
(He puts a hand on her shoulder. She stops and turns to look at him.)
GWEN COOPER: (insistent) They were here.
ANDY: Come on.
(Gwen and Andy head for the car. Gwen glances back at the structure.)
CAMERA POV
(Someone is watching Gwen and Andy on the monitors.)
EXT. CARDIFF SKY (STOCK) – LATE EVENING TO NIGHT
(A bird flies overhead. Various stock cuts of Cardiff as it changes from late evening to night.)
INT. GWEN’S APARTMENT -- NIGHT
(Rhys is in the kitchen cooking. Gwen gets home. He turns around and smiles at her.)
RHYS WILLIAMS: Hey, look at me! Hot pot! Or, as the French call it – (French accent) -- ho’ po’.
(She smiles and kisses him.)
GWEN COOPER: Oh, I should've phoned. I've got to work.
RHYS WILLIAMS: You should be off sick.
GWEN COOPER: I know, but they were short and there's a match on tonight, so I said I'd take another shift. I'm sorry. (He sighs.) Forgive me. Go on, forgive me. Say you forgive me, you do, don't you?
RHYS WILLIAMS: (smiles) Yeah.
GWEN COOPER: Yeah.
(He nods and they kiss.)
GWEN COOPER: Okay. I got to go.
(Gwen turns and heads back out.)
EXT. MILLENNIUM CENTRE (STOCK) – NIGHT
(It’s dark.)
EXT. CARDIFF STREETS -- NIGHT
(Gwen stands in front of the water sculpture. She looks around and sees a pizza delivery boy on a scooter zooming past making a delivery. She gets an idea.)
CAMERA POV
(TOP VIEW DOWN. Someone watches Gwen on the monitors. Gwen walks out of monitor view.)
EXT. SIDEWALK – NIGHT
(Gwen heads for the pizza shop. The scooter is parked outside on the sidewalk. She walks in.)
INT. JUBILEE PIZZA -- CONTINUOUS
PIZZA LAD: Thank you.
(A couple of customers leave with their pizza when Gwen enters the shop. She shows the pizza man her badge.)
GWEN COOPER: Excuse me, Gwen Cooper, CID. I'm making some enquiries around the Bay. I need to check some people out on your list, if that's okay. I don't suppose you deliver to a Captain Jack Harkness?
PIZZA LAD: (shakes his head) Ah, I dunno.
GWEN COOPER: Well, could you have a look?
(He puts in a search for CAPTAIN JACK HARKNESS. NO MATCH FOUND.)
PIZZA LAD: Nope. He's not a regular anyway.
GWEN COOPER: J Harkness? Or just Harkness?
(He searches for J HARKNESS and for HARKNESS.)
PIZZA LAD: No.
GWEN COOPER: Okay. Never mind. Thanks anyway.
(She turns to leave, then stops.)
GWEN COOPER: I don't suppose you've got a Torchwood?
PIZZA LAD: Oh, aye, we do them all the time. They're good customers.
EXT. OUTSIDE TORCHWOOD SHOP – NIGHT
(GWEN carries two boxes of pizza and walks along the warf. She heads for the shop.)
INT. TORCHWOOD COVER SHOP – NIGHT (8:35pm)
(Gwen knocks and enters the shop. She looks around. It’s a small travel shop with lots of brochures and pamphlets on the counter. Ianto comes out from the back.)
GWEN COOPER: Oh, hiya. Sorry I'm late. Someone ordered pizza.
IANTO JONES: Who's it for?
GWEN COOPER: I think it's a ... Mr. Harkness.
(The front door slams shut. Ianto smiles and presses a blue button behind the counter. The wall panel behind Gwen opens. Gwen stares at it. Ianto waits expectantly. Gwen turns to look at him.)
IANTO JONES: Don't keep them waiting.
(Gwen steps through the passageway. She turns and looks back at Ianto. With a nod of his head, he motions for her to go on. Gwen continues on.)
INT. CORRIDOR – CONTINUOUS
(Gwen steps out into the dark, stone corridor. She turns and looks both ways. At one end, an elevator door opens. She heads for the door.)
(She steps into the elevator and before she can change her mind, the door closes. Too late!)
INT. ELEVATOR – CONTINUOUS
(The elevator goes down.)
INT. TORCHWOOD HUB -- NIGHT
(The back elevator doors open (SUB LEVEL 4). Gwen turns around and cautiously steps out. The circular door is open between two concrete columns, one of which has the message "THIS STAIRCASE HAS 105 STEPS" on it.)
(Gwen enters the hub, the central headquarters for Torchwood Three.)
(In the back of the large central room, Toshiko is at the computer working.)
(As soon as Gwen enters the hub, the circular outer door closes. The inner barred gate also closes, effectively sealing her inside. The light stops flashing.)
(Gwen sees a large severed hand in a tank of bubbled liquid. Strange. In the back of the room, Suzie works at her workstation using a welder.)
(It’s a very strange place. The room is huge. There’s a central power column rising up to the high ceiling. There are also other rooms on two more levels with large glass windows facing the hub. Jack exits an office on the second floor and heads for the hub.)
(Suzie stops welding and removes her headgear. Gwen turns, her eyes wide as Jack comes down the steps leading to the hub.)
(He walks past her and heads to his office. He sits behind his desk and gets to work. Everyone is pretty much ignoring Gwen. She looks around and slowly makes her way up slowly toward Jack’s office.)
(She sees Toshiko working at the computers with monitors filled with wave patterns. She edges past Toshiko and toward Owen’s workstation when Toshiko cracks. She laughs. Owen snorts.)
OWEN HARPER: I can't do this, I'm sorry. (He swings his chair around.) I'm rubbish. I give up!
(He cracks up laughing. Toshiko breaks out in smiles and points to Owen.)
TOSHIKO SATO: He set me off.
SUZIE COSTELLO: Well, that lasted no’ point two seconds.
(Gwen is confused by them. Owen turns and looks at Gwen.)
OWEN HARPER: Hmm. She's actually carrying pizza!
JACK: Come on! She was gonna say, "Here's your pizza," and I was going to say, "How much?"
(Jack gets up and heads for his office doorway. Suzie heads over and joins them.)
JACK: -- and she says, "Oh, whatever, twenty quid," and I say, "Oh, I don't have any money."
(Jack leans against the doorframe.)
JACK: I was working on a punchline. I'd have got there. But it would've been good!
GWEN COOPER: There's your pizza. I'd better go.
JACK: We've gone past that stage.
SUZIE COSTELLO: You must've been freezing out there. How long were you walking around? Three hours?
GWEN COOPER: You could see me?
SUZIE COSTELLO: (nods) Hmm.
JACK: And before we go any further, who the hell orders pizza under the name of Torchwood?
OWEN HARPER: Uh, yeah. That would be me. I'm sorry. I'm a twat.
(She looks at them.)
GWEN COOPER: That man, at the hospital, that porter, what happened to him? That was real, wasn't it? He was attacked.
JACK: (serious) He's dead.
GWEN COOPER: But there's no-one gone missing.
TOSHIKO SATO: We took the body, retrospectively changed the work rota, planted a false witness who saw him leaving the hospital, giving him an alibi for the next 48 hours, so when his body's pulled out of the docks next Tuesday night, he's only been missing for three days.
GWEN COOPER: He was murdered?
TOSHIKO SATO: Yes.
GWEN COOPER: And you covered it up?
TOSHIKO SATO: (shrugs) That's my job.
(She turns and looks at Jack.)
GWEN COOPER: And that other man, John Tucker? Last night in the alleyway, I saw you.
(Jack walks toward Gwen.)
JACK: And what did you see?
GWEN COOPER: You revived him.
JACK: No. What did you see?
(Gwen looks down at the pizza box.)
GWEN COOPER: You resuscitated him.
JACK: No, what did you see?
(Gwen looks at Jack.)
GWEN COOPER: You brought him back to life.
JACK: (nods) Yeah.
GWEN COOPER: Who are you?
JACK: Torchwood.
GWEN COOPER: What's Torchwood?
JACK: This is Torchwood. All around you.
(He indicates everyone.)
GWEN COOPER: And what happens to me?
JACK: Ooo.
GWEN COOPER: I'm police. Constable Gwen Cooper. You can't do anything.
JACK: Right then, PC Cooper ... d'you want to come see?
GWEN COOPER: See what?
JACK: You saw the murder. (He motions with his head.) Come and see the murderer.
(Jack turns and heads out of the room. Gwen doesn’t move.)
SUZIE COSTELLO: Go with him.
(Gwen puts the pizza boxes down on the table and follows Jack out. She heads down the steps to the hub.)
GWEN COOPER: What is Torchwood? Who are you? What is this place?
SCREECH!
GWEN COOPER: Oh!
(Gwen ducks out of instinct. Suzie continues walking past Gwen on her way back to her workstation.)
GWEN COOPER: What was that?
TOSHIKO SATO: (calls out) Pterodactyl.
(Gwen stares at her.)
JACK: (o.s.) Are you coming?
(What a strange place! Gwen turns to follow Jack.)
INT. TORCHWOOD – CELLS – NIGHT
(The heavy metal door opens. Jack and Gwen walk in. On the side of the corridor are concrete cells barred by glass doors. Jack stops at the last cell.)
(He turns on the cell light and shows Gwen the weevil sitting on the floor inside. The weevil looks at Gwen and snarls. Gwen gasps. The weevil turns and growls at Jack.)
JACK: It's all right - it's safe, it's sedated.
(Jack motions for Gwen to move in closer to him and in the weevil’s line of vision.)
JACK: It's called a Weevil. Or at least, we call them Weevils. (The weevil bares his teeth at Jack.) We don't know their real name, cos they're not too good at communicating. But we've got a couple of hundred of them in the city living in the sewers, feeding off the ... Well, it's the sewers, you can guess. But every once in a while, one of them goes rogue, comes to the surface, attacks. Actually, it's been happening more and more and we have no idea why. But it's alien.
(Jack turns and watches Gwen as she looks at the weevil.)
JACK: Look into its eyes.
(Jack gets a stool for Gwen to sit down on. He eases her back so she can sit.)
JACK: There you go.
(Gwen is eye level with the Weevil. Jack remains standing patiently behind her as Gwen takes it all in.)
JACK: Take your time. It was born on a different world and it's real.
INT. TORCHWOOD -- NIGHT
(Owen swings around his chair as Jack and Gwen return. Jack makes the introductions.)
JACK: Owen Harper, Gwen Cooper.
OWEN HARPER: "Doctor" Owen Harper, thank you.
JACK: Toshiko Sato, computer genius. Suzie Costello, she's second-in-command. (Suzie looks up and smiles from what she’s working on.) And this is Ianto Jones, Ianto cleans up after us and gets us everywhere on time.
IANTO JONES: I try my best.
JACK: And he looks good in a suit.
IANTO JONES: Careful, that's harassment, sir.
(The clock on the wall in Jack’s office indicates its 9:30 pm.)
GWEN COOPER: Why are you telling me their names? I'm not supposed to know, am I? This is classified, isn't it?
JACK: (amused) Way beyond classified.
GWEN COOPER: Then you shouldn't be telling me. What are you gonna do to me?
JACK: What did you imagine?
(Jack heads into his office to put his coat on.)
GWEN COOPER: Well, I've seen too much. Your names and everything, and the Weevil, and ... (she looks at Toshiko) You can dump a man in the water and lie about his death.
(Ianto heads into Jack’s office. Jack exits his office with his coat on.)
JACK: Oh-kay! Tosh, finish that calibration tomorrow morning. Owen, first thing, get a hold of Chandler and Bell, cos I think they're lying. Ianto, if he needs back-up, then you'd better be on stand-by. Suzie, I know it's a pain in the ass, but I need the costing on the glove research, and as for you, (to Gwen) you're coming with me. This way.
(He motions for Gwen to follow him out.)
GWEN COOPER: (mutters) I'm getting tired of following you.
(Jack stops and turns around.)
JACK: No you're not, and you never will.
(Jack steps up onto a large concrete block.)
JACK: Stand on here. C'mon, next to me.
(He holds out his hand and helps her up onto the concrete block next to him. The lights to the front door flash as the others leave for the night.)
TOSHIKO SATO: Good night!
OWEN HARPER: Later!
(Jack places Gwen on the concrete facing in the same direction he is.)
JACK: Now, you came in through the front door. Let's take the scenic route.
(He looks up and presses a button on his wrist band. The ceiling door opens. The concrete block they’re standing on starts to rise. Gwen quickly grabs Jack’s arm to keep her balance.)
(Suzie walks up to the block and waves them goodbye. Jack smiles and waves her goodbye.)
(And the lift rises.)
EXT. MILLENNIUM CENTRE – NIGHT --- CONTINUOUS
(Jack and Gwen on the lift appear standing on a block in the middle of the centre.)
(Gwen looks around. Couple walking arm in arm walk right past them. Gwen’s surprised that they don’t acknowledge their sudden presence.)
GWEN COOPER: But they can see the lift. Why aren't they ... ? I mean?
(The couple in front of them walks right past them.)
GWEN COOPER: We're right out in the open. They can see everything!
JACK: Do they look like they can see us?
(Another couple walks past without noticing them.)
GWEN COOPER: No, but ... Look at us! We couldn't be any more public!
(Jack shouts to a man walking by.)
JACK: (shouts) Hello! (shouts) Hey, you there, hello!
(The man continues walking without noticing Jack.)
JACK: It's called a perception filter. He can sort of see us, but we don't quite register. Just like something in the corner of your eye. It only works on this exact spot. Step off ... (He steps off. Gwen follows.) Hi!
(A woman walks by and is startled.)
JACK: Nice night!
(She looks up at them as if just seeing them.)
JACK: And lo, we are perceived.
(Jack takes a couple of steps away. Gwen looks at the concrete block.)
GWEN COOPER: How does it work?
JACK: No idea. We know how to use it, not how it happens. But if I were to guess, I would say that there was once a dimensionally transcendental chameleon-circuit placed right on this spot which welded its perception properties to a spatio-temporal rift.
(Gwen shakes her head. She has no clue what he just said.)
JACK: But that sounds kind of ridiculous. "Invisible lift" has got more of a ring to it, don’t you think?
GWEN COOPER: But, hold on, if no-one can see it when the lift's coming up, there's a bloody big hole in the floor, don't people fall in?
JACK: That is so Welsh.
GWEN COOPER: What is?
JACK: I show you something fantastic - you find fault.
(Jack turns and starts walking away. Gwen glances at the ‘invisible lift’ then hurries to catch up with Jack.)
EXT. CARDIFF (STOCK) – NIGHT
(Lovely scenes of Cardiff at night.)
INT. BAR – NIGHT -- CONTINUOUS
(Gwen is drinking beer. Jack seems to be drinking water. He watches Gwen drink. She puts her glass down on the bar counter.)
GWEN COOPER: The thing is, I just don't understand ...
JACK: (interrupts) No, I tell you what I don't understand. You're gonna rattle on with that, "How can this be true?" kinda shtick. What's it gonna take for you people? If you want evidence of aliens, how about that great spaceship hovering over London on Christmas Day? What about the battle of Canary Wharf? A Cyberman in every home!
GWEN COOPER: My boyfriend says it's like a sort of terrorism. Like they put drugs in the water supplies - psychotropic drugs, causing mass hallucinations and stuff.
JACK: Yeah, well your boyfriend's stupid.
GWEN COOPER: Oh, you've met him?
(Jack laughs.)
(Gwen tries again.)
GWEN COOPER: So ... you catch aliens?
JACK: Yup.
GWEN COOPER: You catch aliens for a living?
JACK: Yes, we do.
GWEN COOPER: You're an alien-catcher?
JACK: Yes, I am.
GWEN COOPER: Caught any good aliens?
JACK: Tons of 'em!
GWEN COOPER: That's hell of a job.
JACK: (amused) Sure is.
(Jack chuckles. Gwen smiles at the absurdity of it all.)
GWEN COOPER: This is so weird.
(Jack smiles.)
GWEN COOPER: And who are you, then?
JACK: Captain Jack Harkness.
GWEN COOPER: I did some research and there's only one Captain Jack Harkness on record. And he disappeared in 1941.
(A sad look comes over him.)
JACK: Well ... that couldn't be me ... could it? (He shakes his head and gets down to business.) We don't just catch aliens. We scavenge the stuff they leave behind. Find ways of using it. Arming the human race for the future. The twenty-first century is when it all changes, and you've got to be ready.
GWEN COOPER: But who's in charge of you? Is it the government or what?
JACK: We're separate from the government. Outside the police. Beyond the United Nations. Cos if one power got hold of this stuff, they could use it for their own purposes.
GWEN COOPER: But so could you.
JACK: All alien technology stays on the base. No-one's allowed to take anything outside.
(He says it with such conviction. Jack picks up his glass and drinks.)
INT. TOSHIKO’S FLAT – KITCHEN -- NIGHT
(Toshiko reaches home. She puts her keys down and quickly walks around the kitchen counter. She slips off her bag and takes out a pouch with an alien device inside. There’s alien writing along the edges.)
INT. OWEN’S FLAT – BATHROOM -- NIGHT
(Owen is in the bathroom, the shower on behind him. He looks at his reflection in the bathroom mirror. He opens the medicine cabinet and takes out a full spray perfume bottle. The liquid inside the bottle lights up. He heads out.)
INT. SUZIE’S FLAT – KITCHEN -- NIGHT
(Suzie is in the kitchen. She opens her bag and takes out the metal glove. She puts it down on the counter as she takes her coat off.)
INT. BAR -- NIGHT
(Jack and Gwen are still at the bar.)
GWEN COOPER: So go on, then. How the hell did you end up in Cardiff?
JACK: This is Torchwood Three. Torchwood One was London, destroyed in the battle. Torchwood Two is an office in Glasgow, very strange man.
(Gwen takes a sip of her glass which is nearly empty.)
JACK: Torchwood three, Cardiff. Torchwood Four's kinda gone missing, but we'll find it one day.
GWEN COOPER: So you just fancied Cardiff?
JACK: (very serious) There's a rift in space and time running right through the city. The Weevils didn't come in a spaceship. They kind of just -- slipped through. All sorts of things get washed up here. Creatures, time-shifts, space junk, debris, flotsam and jetsam.
GWEN COOPER: Sounds like Cardiff, yeah.
JACK: (chuckles) Hey-hey-hey, don't knock it. I'm a citizen.
GWEN COOPER: But where are you from?
JACK: All sorts of places.
GWEN COOPER: Thing is, we could liaise on this ... the serial killer. I could be like your liaison with the police.
JACK: (nods) Right, I can see the mistake. You think because we showed up at the scene of crime, we're out to catch the killer.
GWEN COOPER: (nods) M-hmm.
JACK: Sorry. Nothing to do with us.
GWEN COOPER: Then what were you doing there?
JACK: Testing the glove. We need murder victims, simple as that. The glove only works on the recently deceased, and the more violent the trauma, the stronger the resurrection. All we need is fresh meat.
GWEN COOPER: No, you were asking that man, John Tucker, I saw you, you were asking him about his killer.
JACK: He'd just been murdered, what else are you gonna ask?
GWEN COOPER: You could get an ID. You could help.
JACK: (shrugs) We're busy.
GWEN COOPER: And your work is more important?
JACK: Now you've got it.
GWEN COOPER: Well, that's tough shit. Cos if you let me go, then I have a duty, I can tell them what you’ve got cos that glove could help us.
JACK: (nods) If you remember.
GWEN COOPER: What d'you mean?
JACK: How's your drink?
(They both look at her nearly empty glass.)
GWEN COOPER: Have you poisoned me?
JACK: Don't be so dramatic. It's an amnesia pill. My own recipe, with a touch of denial and a dash of retcon. Wake up tomorrow morning, you'll have forgotten everything about Torchwood. Worse still, you'll have forgotten me ... (shrugs) ... which is kind of tragic.
(Gwen quickly gets up and heads out. Jack grabs his jacket, sighs and follows her.)
EXT. STREET OUTSIDE BAR – NIGHT
(Gwen rushes out of the bar.)
JACK: Don't think you can fight it by staying awake. I mixed in a little bit of sedative too.
GWEN COOPER: Then I'll tell someone!
JACK: Do you want to do that? Do you really want us to come and find them too?
GWEN COOPER: You bastard.
JACK: Language! Nice knowing you, Gwen Cooper.
(Jack winks at her, turns and walks down the sidewalk away from her. Gwen watches him for a moment. She turns and hurries to get home.)
EXT. STREET – NIGHT
(Gwen runs. She puts her bag over her shoulder and continues running. She shakes her head and keeps her eyes wide open as she forces herself to stay awake.)
EXT. SIDEWALK – NIGHT
(Jack walks leisurely along the sidewalk. He tucks his hands into his pockets and continues on.)
INT. GWEN’S FLAT – NIGHT
(Gwen is typing her notes as fast as she can.)
Captain Jack Harkness in charge, commander. NB THIS IS TORCHWOOD 3 – another man] called Open Harper, doctor.
INT. BAR – NIGHT
(Owen is in a bar. He takes a sip of his drink, turns and sees a beautiful blonde woman sitting at the bar. He heads over and stands next to her.)
OWEN HARPER: Hello.
LINDA: All right?
OWEN HARPER: You having a good time?
LINDA: I was.
OWEN HARPER: (nods) Can I buy you a drink?
LINDA: No, thanks, I'm fine.
(She takes a sip of her own drink.)
OWEN HARPER: Am I wasting my time?
LINDA: I dunno, are you?
(Owen finishes his drink and puts his glass down.)
OWEN HARPER: Look. I've got to be up early and I've got hell of a day tomorrow and I really can't be bothered with all the chat.
(She laughs at his audacity. He digs into his pocket and pulls out the perfume spray bottle. He sprays the glowing liquid on his face. He tucks the bottle back in his pocket.)
OWEN HARPER: So ... do you want a drink or what?
(She takes a deep breath. She grabs him and kisses him passionately.)
LINDA: Bloody hell fire! You're coming home with me, you are. Right now!
(She grabs him and pulls him toward the door.)
INT. GWEN’S FLAT – NIGHT
(Gwen can barely keep her eyes open. She continues typing.)
Adult 26 27, and a Japanese woman called Toshiko??? (surname?
INT. TOSHIKO’S FLAT – NIGHT
(Toshiko has the alien device in her hand and is at the bookshelf. She holds the Alien scanner up to the binding of "A Tale of Two Cities." The scanner lights flash.)
(She takes the scanner to her laptop and holds it to the corner of the monitor. The monitor flickers as the information is downloaded. The pages of the book appear on the monitor and it flips as if it were real.)
(Toshiko smiles.)
INT. GWEN’S FLAT – NIGHT
(Gwen continues typing.)
exper t-
Woman called Susie in charge of the glove, (2nd in command)
INT. SUZIE’S FLAT – NIGHT
(There’s a dead fly on the window sill. Suzie has the resurrection glove on and touches the fly. The fly’s legs move. It flips over and is alive.)
(Suzie stands up and looks at the glove.)
INT. GWEN’S FLAT – NIGHT
(Gwen can barely keep her eyes open. She blinks a couple of times and continues typing.)
Torchwood READ THISA!!!!!
(The letters blur.)
EXT. SIDEWALK OUTSIDE BAR – NIGHT
(Owen and Linda are walking down the sidewalk. Linda has a hold on Owen’s arm. A man catches up with them.)
COLIN: Oi, you bastard, come here! Linda, what are you doing with him? What the fuck do you think you are doing?!
LINDA: I'm taking him home and I'm having him, now piss off!
COLIN: What the fuck d'you think you're doing with my girlfriend? You bastard!
OWEN HARPER: Hey, I didn’t know. She was on her own. She never said.
COLIN: You tosser. You fucking tosser.
LINDA: Colin, button it, he's mine.
COLIN: Do you want to have a go, do you? Do you want to have a go? Come on then mate!
OWEN HARPER: Well, if it makes it easier ...
(Owen takes out the perfume spray bottle and sprays the liquid on his face. Owen smiles at him. Colin grabs Owen by the face and kisses him.)
COLIN: I am so having you.
(Linda pushes Colin away from Owen.)
LINDA: I'm having him first!
OWEN HARPER: Taxi!
INT. GWEN’S FLAT -- NIGHT
(Gwen continues typing.)
They mad eyou amnsia
(The type blurs. Gwen is getting tired.)
(The full document is as follows (errors are as is):
Captain Jack Harkness in charge, commander? NB THIS IS TORCHWOOD 3 –another man] called Owen Harper, doctor, about 26 27, and a Japanese woman called Toshiko??? (surname? Kado??) like some sort of computer exper t-
Woman called Susie in charge of the glove. (2nd in command??) glove best on murder cos of the trajuma the violencd – it bring s them back to life
They use this stuff they find it and use it but theyc an do
whart they want, noone s in charge of thrmdes NO ONE
cos they don’t anbsweerr to anyne
Torchwood READ THISA!!!!!
They mad eyou amnesia
REMEMBER IT TORCHWOOD CAPTAIN JACK
(And Gwen stops typing.)
INT. TORCHWOOD – NIGHT
(Ianto is typing at the computer. He accesses Gwen's home computer.)
GWEN COOPER: HOME INTERCEPT
(He’s in Gwen’s home computer and finds the file she just typed up. He highlights it and DELETES the file completely.)
INT. GWEN’S FLAT – NIGHT
(Her monitor blacks out in front of her. Gwen is so tired. She tries to type, but nothing works. She’s too tired. Her hands slip off the keyboard. Gwen’s eyes close and she nods off.)
INT. TORCHWOOD – NIGHT
(Finished, Ianto turns the desk lamp off.)
FADE OUT.
FADE IN:
EXT. BUILDING – DAY
(Lovely view of the top of a white building. We get in closer and closer and see that Jack is standing at the very top at the edge of the roof. His hands are on his hips as he looks out at his city. No fear.)
INT. GWEN’S FLAT – DAY
(Gwen is sleeping with her head down on the computer table. Rhys puts a cup of coffee in front of her. He leans forward and kisses the back of her head. She wakes up.)
RHYS WILLIAMS: Did you get pissed?
(Gwen blinks several times as she gets her bearings.)
GWEN COOPER: No. What time is it?
RHYS WILLIAMS: Seven thirty. You said you were working last night.
GWEN COOPER: I was.
RHYS WILLIAMS: Then how come you fell asleep in here?
GWEN COOPER: I haven't, I was ... typing. That is work.
RHYS WILLIAMS: I'm not having a go, uh, I'm just saying. Not exactly clever going out on the lash when you've just had a bang on the head. I hope you didn't drive in that state.
(Gwen rubs the back of her head. Rhys steps away.)
RHYS WILLIAMS: Who were you with? Diane?
GWEN COOPER: (can’t remember) Must've been. Yeah.
(She picks up her coffee cup and sips.)
INT. CARDIFF POLICE – LOBBY -- DAY
(Gwen walks into the building. Yvonne catches up with her and follows her inside.)
YVONNE: Have any luck?
GWEN COOPER: With what?
YVONNE: Captain Jack Harkness.
GWEN COOPER: How d'you mean? Who's he?
YVONNE: Oh, well don't worry about me, just go ahead, wasting my time.
(She walks past. Gwen stops and watches her before heading upstairs herself.)
INT. CARDIFF POLICE – SECOND FLOOR – DAY -- CONTINUOUS
(Gwen carries a file folder and walks through the hallway. She passes by a fellow officer.)
OFFICER: Hi.
GWEN COOPER: Hi.
INT. CARDIFF POLICE – OFFICE – DAY -- CONTINUOUS
(She enters the room and heads over to the filing cabinet. The sergeant passes her on the way to his desk.)
SERGEANT: Aye, aye. Come to see where the real work's done?
GWEN COOPER: Yes, sir, that's right, sir.
(The sergeant heads over to his desk and sits down.)
GWEN COOPER: How's it going?
SERGEANT: Sod all.
(Gwen turns and looks at the victim board. They added a new drawing of the weapon on the front.)
GWEN COOPER: Is that the murder weapon?
SERGEANT: Clever, mind, they worked it all out on a computer.
(The sergeant gets up and sits on his desk facing the board. Gwen steps closer to the board.)
SERGEANT: Took measurements from the stab wounds, calculated the shape of the blade and stuff, even those prongs - I don't know how they do it. Nasty-looking beast, though.
(The weapon has two smaller blades protruding out from either side of the primary blade. Its hooked design does more damage coming out than going in.)
SERGEANT: Do you recognise it?
GWEN COOPER: No.
SERGEANT: We're trying to trace it. Can't be that many of 'em. Sort of ornamental. We're checking the CDE logs with customs in case it's been imported. Find the knife, we might find the killer. (The sergeant sits back down at his desk.) Anyway, if it rings any bells, give's a shout.
GWEN COOPER: Yeah. Thanks.
(Gwen turns and heads out.)
(She turns the hallway and continues walking, her mind on the design of the murder weapon.)
INSERT FLASH: SKETCH OF KNIFE DESIGN
EXT. CARDIFF STREET -- DAY
(Gwen and Andy are having a coffee break against their parked car.)
ANDY: ... I said to Geoff, it's not demotion being put in goal, it's vital, but was he having any of it? He's off and moaning, says, who books the ground, who pays the subs? ...
INSERT FLASH: SKETCH OF KNIFE DESIGN
ANDY: (o.s., b.g.) And all the time, he's wheezing away, and I'm like, Geoff, you're proving my point mate ...
(Gwen is barely listening to him, her mind is on the murder weapon.)
CUT TO:
INT. GWEN’S FLAT – KITCHEN -- NIGHT
(Gwen’s thoughts are still on that murder weapon.)
INSERT FLASH: SKETCH OF KNIFE DESIGN
(Rhys is talking while getting dinner together. Gwen is barely paying any attention to him.)
RHYS WILLIAMS: "You never come down, you're in charge of transport." I said, "Mam, I can't go hopping on a truck!" All that Christmas stuff, all over again, I was like, for God's sake, leave it ...
INSERT FLASH: SKETCH OF KNIFE DESIGN
(She’s still thinking about that murder weapon ... and other moving lights.)
INT. GWEN’S FLAT – BEDROOM – NIGHT
(Gwen is awake in bed. She rolls over and glances at the digital clock. It changes from 2:00 to 2:01.)
(Gwen settles down and closes her eyes.)
FLASHES OF: Moving lights and the knife blade.
(Gwen wakes up.)
CUT TO:
(Gwen is at her computer desk sketching the knife from memory with a pencil on the back of a used envelope.)
FLASHES OF: THE KNIFE
(She finishes sketching the knife.)
FLASH OF: THE KNIFE
(Gwen crumples the envelope into a ball and tosses it in the trash. She sits back in her chair.)
FLASH OF: THE KNIFE AND FALLING LIGHTS
(Gwen looks around and sees a thin booklet titled, What’s on Wales Millennium Center. Next to it, she wrote, "Remember.")
EXT. MILLENNIUM CENTRE – NIGHT
(Gwen is out walking at the Millennium Centre. She looks around the area and stops at the water structure.)
(She stops when she sees a figure standing near the structure.)
FLASH OF: THE KNIFE AND SHOOTING LIGHTS
(Gwen stares at the figure in front of her. She walks slowly toward the figure. The figure walks toward her.)
FLASH OF: THE KNIFE AND A WELDING HELMET
(Gwen and the figure continue to walk toward each other.)
FLASH OF: SUZIE REMOVES HER WELDING HELMET
(The figure steps into the light. Its Suzie. Gwen stares at her. They’re standing face to face on either side of the water sculpture.)
SUZIE COSTELLO: Hello again. You were right. You told Jack we should liaise with the police. I was the only one who bothered. So, I was the only one who saw the report.
(Suzie reaches into her bag and pulls out the knife. Gwen gasps.)
SUZIE COSTELLO: They got a good likeness.
GWEN COOPER: (weakly) I'm arresting you for ... (but more importantly) How do I know you?
SUZIE COSTELLO: I thought you might’ve saw it. And that can trip the amnesia, one image, if you're clever. He said you were good. Anyway. It's not much good now, I can't really ... But you're gonna put up a fight. So I've got ...
(Suzie puts the knife back into her bag and reaches in for something else.)
SUZIE COSTELLO: Um. Hold on. Sorry.
(She struggles for a moment, then pulls out a large handgun as she puts her handbag on the ground. She points the gun at Gwen.)
SUZIE COSTELLO: There. That's better.
GWEN COOPER: Put it down.
SUZIE COSTELLO: You had to come back.
GWEN COOPER: Put down the gun.
SUZIE COSTELLO: (regretfully) You're the only one who can make the link. Well, the only one in public. Torchwood's gonna find out by morning, but I'll be gone. I don't know where. Far away. What am I gonna do? I loved this job. I really loved it. And now I've got to run. Oh, Christ. How can you do any other job after this one?
GWEN COOPER: Please. Put down the gun.
SUZIE COSTELLO: Cos it gets inside you. You do this job for long enough, and you end up thinking, "How come we get all the Weevils and bollocks and shit?" Is that what alien life is? Filth? But maybe there's better stuff out there, brilliant stuff, beautiful stuff. Just ... they don't come here. This planet's so dirty, that's all we get - the shit.
GWEN COOPER: I don't know what you're talking about.
SUZIE COSTELLO: I wish I could forget.
GWEN COOPER: Why did you kill those people?
SUZIE COSTELLO: For the glove.
GWEN COOPER: Just -- stay where you are.
SUZIE COSTELLO: I needed the bodies. That's how it works. Violent death. And it was so easy. To bring them back, I'd position myself behind the head, so they'd never see me twice.
GWEN COOPER: You killed three people.
SUZIE COSTELLO: It was the only way. The more I use the glove, the more I control it.
GWEN COOPER: I don't understand. What glove? Where have I seen you before?
SUZIE COSTELLO: If I can get enough practice, then think what that glove could do. If I could get it work all the time, on anything, beyond the two minutes, if it could work permanently, it could resurrect.
(As she talks, Jack rises up from the invisible lift between them. He doesn’t say anything.)
SUZIE COSTELLO: Resurrection on demand for the whole world, isn't that good? Isn't it though? Well, that's what I've been working for, all day and all night. The rest of them go swanning about, but I'm working. You've got to get inside this stuff. Surrender yourself to it. I did, with the knife, and the glove, and that's why the perception filter isn't gonna work on me.
(She turns and fires, hitting Jack square in the forehead. Jack falls off the concrete block and onto the ground between them. Gwen is startled.)
GWEN COOPER: What? Who is he -- ? Where did he come from?
(Jack is dead.)
GWEN COOPER: What have you done?
(Suzie cocks the gun and points it at Gwen.)
GWEN COOPER: Please don't.
SUZIE COSTELLO: I can't let you go.
GWEN COOPER: Please.
SUZIE COSTELLO: I've got to.
(Gwen starts crying.)
SUZIE COSTELLO: I'm sorry. (Gwen cries.) I’m sorry. I've got to, I've got to, I've got to.
(Gwen looks at Suzie. Just behind her, Jack stands up. The bullet hole is still in his forehead. Gwen stares.)
JACK: Put down the gun.
(Suzie can’t believe it. She turns and looks at Jack. Right before their eyes, the bullet hole closes.)
JACK: Susie, it's over.
(He holds out his hand to her.)
JACK: Now, come with me.
(Suzie’s stunned. She turns and looks at Gwen. She puts the gun muzzle under her own chin and fires. Suzie falls to the ground, dead.)
(Gwen gasps. Jack looks at Suzie’s body.)
GWEN COOPER: I remember.
(Jack looks at Gwen. Gwen looks at Jack.)
GWEN COOPER: (stunned) I remember.
(Gwen falls to her hands and knees.)
CUT TO:
INT. TORCHWOOD – OFFICE -- NIGHT
(Ianto puts the Resurrection Glove and Knife into a cage-like box. He locks it with an official TORCHWOOD seal. NOT FOR USE.)
(Ianto slides the locked box up on the shelf. He looks at Jack. Jack turns and looks at Owen and Toshiko. Toshiko takes out the alien scanner device she took home with her and she places it on the table. Owen takes out the perfume spray bottle and places it on the table as well. More than a quarter of it is gone.)
INT TORCHWOOD – MORGUE – NIGHT
(Suzie’s in a body bag. Jack zips it closed. He pushes the slab back into the morgue cabinet and closes the compartment.)
(He’s alone. He turns and walks out of the morgue.)
EXT. CARDIFF (STOCK) – DAWN
(Beautiful stock shot of Cardiff bay area.)
GWEN COOPER: (v.o.) Owen and Toshiko, you didn't tell them that you were shot in the head and survived.
EXT. ROOFTOP -- DAY
(Gwen and Jack stand side-by-side on a rooftop overlooking the city.)
JACK: You didn't tell them either. Followed my lead. Keep doing that, and you might just get through this.
GWEN COOPER: (sighs) But she killed you.
(She looks at Jack who is completely healed. He looks at her. She turns and looks away.)
JACK: I can't die.
GWEN COOPER: Okay.
JACK: But I can't. Something happened to me a while back. Long story and far away. But I was killed, and then I was brought back to life, and ever since then ... I can't die.
GWEN COOPER: But how?
JACK: I don't know. One day, I'll find a doctor, the right sort of doctor, and maybe he can explain it. But until then ...
GWEN COOPER: Nothing kills you?
JACK: Well, it kind of freaks people out, so ... best if you don't say anything.
GWEN COOPER: It doesn't matter anyway. You'll only wipe my memory again.
JACK: Why would I do that?
(She looks at him.)
JACK: Torchwood's got a vacancy. Job going spare. Do you want it?
GWEN COOPER: But ... what do you need me for?
JACK: Cos maybe you were right. We could do more to help. What do you think? Do you want to join up?
GWEN COOPER: Yeah.
(Gwen turns and looks out at her city.)
GWEN COOPER: I do. Yes.
(We pull out on the two figures on the roof ... PULL BACK to show they’re standing on the roof of the main Millennium Centre building ... PULL BACK on Cardiff ... PULL BACK on the city.)
(A Pterodactyl breaks into frame and soars in the air.)
FADE TO BLACK.
==========================
END OF EPISODE
==========================
Transcript by intrepid
Courtesy of http://www.kilohoku.com/
Contact the Transcriptionist at intrepidly002@yahoo.com
As a courtesy, do not archive this transcript without written permission from the Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
TORCHWOOD
1X01: EVERYTHING CHANGES
ORIGINAL AIR DATE IN UK: 10/22/2006
TRANSCRIBED FROM DL
Starring:
JOHN BARROWMAN as Captain Jack Harkness
EVE MYLES as Gwen Cooper
BURN GORMAN as Owen Harper
NAOKO MORI as Toshiko Sato
INDIRA VARMA as Suzie Costello
GARETH DAVID LLOYD as Ianto Jones
Producer: RICHARD STOKES
Written by: RUSSELL T DAVIES
Directed by: BRIAN KELLY
==========================
END CREDITS
==========================
CAST & CREW
JOHN BARROWMAN as Captain Jack Harkness
EVE MYLES as Gwen Cooper
BURN GORMAN as Owen Harper
NAOKO MORI as Toshiko Sato
GARETH DAVID-LLOYD as Ianto Jones
KAI OWEN as Rhys Williams
INDIRA VARMA as Suzie Costello
"EVERYTHING CHANGES"
GUY LEWIS as Young Cop
TOM PRICE as PC Andy
JASON MAY as SOCO
RHYS SWINBURN as Body
OLWEN MEDI as Yvonne
GWYN VAUGHAN-JONES as JD Jacobs
DION DAVIS as Officer
JAMS THOMAS as Hospital Porter
PAUL KASEY as Weevil
MARK HEAL as Security Guard
GARY SHEPHEARD as Pizza Lad
GWILYM HAVARD DAVIES as Man
CATHRYN DAVIES as Woman
"DAY ONE"
ADRIAN CHRISTOPHER as Private Moriarty
ROSS O’HENNESSY as Sgt. Johnson
SARA LLOYD GREGORY as Carys
CERI MEARS as Banksy
JUSTIN MCDONALD as Matt
TOM PRICE as PC Andy
BRENDAN CHARLESON as Ivan Fletcher
ROB STORR as Gavin
ALEX PARRY as Eddie Gwynne
FELICITY RHYS as Bethan
NAOMI MARTELL as Receptionist
DAVID LONGDEN as Mr. Weston
Co-Producer: CHRIS CHIBNALL
1st Assistant Director: PETER BENNETT
2nd Assistant Director: STEFFAN MORRIS
3rd Assistant Director: LYNSEY MUIR
Location Manager: PAUL DAVIES
Unit Manager: GERAINT HAVARD JONES
Production Co-Ordinator: CARMELINA PALUMBO
Script Secretary: HELEN PUGSLEY
Continuity: LLINOS WYN JONES
Script Editor: BRIAN MINCHIN
Camera Operator: GARETH HUGHES
Camera Assistant: MANI BLAXTER PALIWALA
Focus Puller: DUNCAN FOWLIE
Grip: DAI HOPKINS
Boom Operator: JEFF WELCH
Gaffer: DAVE FOWLER
Bestboy: STEVE SLOCOMBE
Stunt Co-Ordinator: GARRY CONNERY
Ch. Supervising Art Director: STEPHEN NICHOLAS
Supervising Art Director: KEITH DUNNE
Art Dept. Prod. Manager: JONATHAN MARQUAND ALLISON
Art Dept. Operations Manager: ADRIAN ANSCOMBE
Assistant Art Director: MATTHEW SAVAGE
Art Dept. Co-Ordinator: MATTHEW NORTH
Standby Art Director: DAFYDD SHURMER
Standby Props: BRIAN PATRICK HENRY
Designer: JULIAN LOXTON
Property Master: NICK THOMAS
Production Buyer: BEN MORRIS
Specialist Prop Maker: MARK CORDORY
Construction Manager: MATTHEW HYWEL-DAVIES
Graphics: BBC WALES GRAPHICS
Costume Supervisor: DEBRA HAGGETT
Costume Assistants: BOBBY PEACH / SAM BENBOW
Make-up Supervisor: CLAIRE PRITCHARD
Make-up Artists: SARAH ASTLEY-HUGHES / KATE ROBERTS
Casting Associate: ANDY BRIERLEY
Assistant Editor: MATT MULLINS
Post Production Supervisor: HELEN VALLIS / CHRIS BLATCHFORD
Post Production Co-ordinator: MARIE BROWN
On-line Editor: MATTHEW CLARKE
Colourists: JAMES BAMFORD / JAMIE WILKINSON
3D Artists: NICK WEBBER / PAUL BURTON / MARK WALLMAN
2D Artists: SARA BENNETT / BRONWYN EDWARDS
Dubbing Mixer: TIM RICKETTS
Supervising Sound Editor: DOUG SINCLAIR
Sound Editor: PAUL MCFADDEN
Sound FX Editor: HOWARD EAVES
Senior Prod. Accountant: ENDAF EMYR WILLIAMS
Casting Director: ANDY PRYOR CDG
Production Accountant: CERI TOTHILL
Sound Recordist: JEFF MATHEWS
Costume Designer: RAY HOLMAN
Make-up Designer: MARIE DORIS
Music: MURRAY GOLD and BEN FOSTER
Visual Effects: THE MILL
Visual FX Producers: WILL COHEN / MARIE JONES
Visual FX Supervisor: DAVE HOUGHTON
On-set Visual FX Supervisor: BARNEY CURNOW
Special Effects: ANY EFFECTS
Prosthetics: NEILL GORTON & MILLENNIUM EFFECTS
Editor: WILLIAM WEBB
Production Designer: EDWARD THOMAS
Director of Photography: MARK WATERS
Associate producer: MARCUS PRINCE
Production Executive: JULIE SCOTT
Assistant Producer: SOPHIE FANTE
Executive Producer: RUSSELL T DAVIS
Executive Producer: JULIE GARDNER
A BBC Wales Production in association with the Canadian Broadcasting Corporation
bbc.co.uk/torchwood
(c) BBC MMVI
Dated:01/26/2007~lky
http://www.kilohoku.com/
Also the first eccleston episode of doctor who!
DOCTOR WHO (2005)
1X01: ROSE
ORIGINAL AIR DATE IN UK: 03/26/2005
TRANSCRIBED FROM DVD
Written by: RUSSELL T DAVIES
Directed by: KEITH BOAK
Transcript by Intrepid
Courtesy of http://www.kilohoku.com/
As a courtesy, do not archive this transcript without written permission from
the Transcriptionist.
RATING: TV-PG-LV
==========================
DISCLAIMER:
==========================
"DOCTOR WHO" and other related entities are owned, (TM) and (c) by BBC; BBC
Worldwide, Ltd.; BBC Wales Production for BBC1, All Rights Reserved. This
transcript was made without their permission, approval, authorization or
endorsement. For Fair Use, For Educational and For Entertainment Purposes Only.
Any reproduction, duplication or distribution of this material in any form is
expressly prohibited. It is absolutely forbidden to use it for commercial gain.
Nestene Consciousness and Autons originally created by Robert Holmes.
CONDITION OF USE: (1) Credit; (2) Do not alter the content of this file.
Leave the headers/disclaimers intact because it lists all those who have made
this transcript possible for your enjoyment. (3) Provide a link back to the
site where this file originated: http://www.kilohoku.com/
Contact the Transcriptionist at (intrepidly002@yahoo.com)
==========================
SUMMARY: Life is mundane for 19-year-old shop girl Rose Tyler - everyday the
same, boring routine. That is, until she is attacked by living plastic, until
she meets the Doctor, and until he blows up her workplace -- until she saves the
Doctor's life and helps stop the Nestene Consciousness from taking over the
Earth -- and until she gets an invitation to join the Doctor traveling through
time and space. For Rose Tyler, life will never, ever be the same again.
==========================
DOCTOR WHO (2005)
1X01: ROSE
==========================
FADE IN:
[ROLL OPENING CREDITS]
FADE OUT.
FADE IN:
[EXT. SPACE]
(We see the moon - half dark, half visible -- sitting in a sea of space littered
with the light of a million stars and planets; a countless number of adventures
waiting to be explored. They appear to brighten as we watch. We turn and Earth
fills the screen - shining brightly and so alive.)
(The planet turns toward the screen, filling it more and more. We move rapidly
with the turning planet, drawing closer and closer. Through the thick covering
of clouds, we stop over the UK - and ZOOM straight down, plummeting toward the
Earth - through the clouds and straight into London. ZOOM down to the buildings
below, then --
ABRUPT CUT TO:
CU: DIGITAL CLOCK
(It's 7:30. BEEP-BEEP-BEEP! The alarm clock blares. SLAM! A hand shuts it
off.)
[INT. TYLER APARTMENT - ROSE'S BEDROOM -- MORNING]
(The thick lump under the blanket moves. Rose Tyler, 19, sits up in bed - bushy
haired, bleary-eyed. Pink. She's surrounded by everything in various shades of
pink - walls, bed sheets, blanket, curtains, carpet. Pink.)
(She pushes the blanket aside and gets up to get to work.)
CUT TO:
[INT. TYLER APARTMENT - LIVING ROOM -- MORNING]
(Dressed and ready to go, Rose grabs her bag. She stops to give her mother
Jackie a kiss on the cheek.)
MWAH!
(Jackie is still in her dressing gown and lounging on the sofa with a mug of
something to drink. Rose is all movement. She grabs her keys off the coffee
table and is headed out the door.)
ROSE TYLER: Bye!
JACKIE TYLER: See you later!
(Once she's gone, Jackie picks up the cordless.)
[EXT. TYLER APARTMENT - STAIRS -- MORNING]
(Rose hurries down the stairs.)
[EXT. LONDON (STOCK) - MORNING]
(WIDE SHOT: The City of London.)
[EXT. LONDON CITY INTERSECTION (STOCK) - MORNING TO DAY]
(FAST FORWARD through the busy intersection. Cars moving, people moving --
everyone going somewhere. Life moves at a fast pace.)
(The bus, license #CUV 272C, passes by and stops. Rose steps onto the sidewalk,
looks around, then hurries on her way.)
(The camera lingers on the mannequins in the store window display.)
DISSOLVE TO:
[EXT. HENRIK'S DEPARTMENT STORE - DAY]
(Rose runs across the street and heads for Henrik's Department store. Camera
pans upward and we see the store is several floors high.)
[INT. HENRIK'S DEPARTMENT STORE -- DAY]
(Rose carries some shirts in her hands and puts them out on the table. There
are mannequins on display along each side of the main floor aisles.)
(Rose turns and walks out of frame.)
[EXT. LONDON CITY INTERSECTION (STOCK) - DAY TO LUNCH]
(The intersection bustles with life and movement.)
[EXT. FOUNTAIN SQUARE -- DAY]
(Rose and her boyfriend Mickey Smith are sitting on the center fountain and
having lunch.)
SEVERAL CUTS OF LUNCH BREAK
(They laugh as they eat. Clearly, they're quite comfortable with each other and
having fun during their time together.)
(Mickey shows Rose some dance steps. Rose laughs heartily.)
(Time's up. Quick kiss, they hug. They jump off their perch and engage in a
bit of playful pushing and shoving in trying to get past the other.)
ROSE TYLER: Bye!
(They head off in opposite directions.)
CUT TO:
[INT. HENRIK'S DEPARTMENT STORE - LATE DAY]
(The store is closing. Rose has a stack of shirts in her hands and is standing
in front of the center aisle table as the overhead announcement is made.)
VOICE: (overhead, b.g.) This is the final announcement. The store will be
closing in five minutes. Thank you.
[EXT. LONDON CITY INTERSECTION (STOCK) - LATE DAY]
(And life continues quickly. FAST FORWARD through the busy intersection. Cars
moving, people moving. Everyone going somewhere. It doesn't stop.)
[INT. HENRIK'S DEPARTMENT STORE - LATE DAY]
(Rose and a couple of other girls are headed out the store for the day. They
reach the door and Rose is nearly out when --
SECURITY GUARD: (o.s.) Hey!
(He holds out a plastic bag with some cash in it. Rose turns around, groans and
grabs the bag. She heads back into the store.)
(At the elevators, she presses the down button. She turns and looks longingly
at the front doors. She watches as the security guard closes and locks the
glass doors behind the last of the workers.)
(Rose steps into the elevator and presses the button. The elevator doors
close.)
[INT. ELEVATOR SHAFT - NIGHT -- CONTINUOUS]
(TOP VIEW DOWN. The elevator descends down, down, down into the basement.)
[INT. ELEVATOR]
(Rose waits as she's headed to the ...
DING!
(The "B" button on the elevator panel lights up.)
[INT HENRIK'S DEPARTMENT STORE - BASEMENT CORRIDOR - EVENING]
(The elevator doors open. The b.g. music has stopped and it's eerily quiet.)
(Rose steps out into the basement corridor. She stops and looks both ways. The
elevator doors behind her close shut.)
ROSE TYLER: (calls out) Wilson?
(There's no answer. She heads down the corridor with her little plastic baggie
of cash.)
ROSE TYLER: Wilson, I've got the lottery money.
(Still there's no answer. She reaches the blue door for H.P. WILSON, C.E.O.)
ROSE TYLER: Wilson, you there?
(She tries the door and finds it locked. She shouts to the door.)
ROSE TYLER: I can't hang about 'cause they're closing the shop. (There's no
answer.) Wilson? (quietly) Oh, come on.
(Suddenly, there's a clatter coming from down the hallway. Rose turns.)
ROSE TYLER: Hello?
(She heads down the hallway.)
ROSE TYLER: Hello, Wilson, it's Rose.
(She passes a couple of racks of clothing on her way to the end of the hallway.)
(She pauses in front of some red doors.)
ROSE TYLER: Hello? W-Wilson?
(She pushes the red door open.)
[INT. HENRIK'S DEPARTMENT STORE - BASEMENT ROOM - EVENING - CONTINUOUS]
(It's dark inside. She hesitates in the doorway looking into the incredibly
dark room. She reaches for the light switch and turns it on.)
(The ceiling lights power on and we see she's in the storage room lined with
unused, dressed, faceless mannequins.
ROSE TYLER: Wilson?!
(There's no answer, but she heads into the room anyway. She walks past the
dressed mannequins.)
ROSE TYLER: Wilson?!
(On the side wall, there's another door. Rose heads for the door in the room.)
(Just as she reaches it, the hallway door she entered through slams shut.
BAMM!)
(Rose runs back to the hallway door. She tries it and finds it locked. She's
trapped inside the storage room! She pulls and pulls at the door trying to get
it open ...
ROSE TYLER: (mutters) You're kidding me.
... when she hears a clatter. Yep, that's definitely a clatter.)
(Rose stops and turns around, looking back into the room.)
ROSE TYLER: (shouts) Is that someone mucking about?!
(Rose heads back into the room. Freaked, but determined, Rose heads toward the
sound. She walks past several mannequins.)
ROSE TYLER: Who is it?!
(Rose takes several more steps into the room. From our view behind Rose, one of
the mannequins move - his head turning toward Rose as if following her movement,
the plastic creaking eerily.)
(Rose whirls around.)
(She stares at the mannequin and sees it move. He peels away from his position
against the column and steps toward her. Rose backs away, her eyes stuck on the
moving mannequin.)
(The mannequin continues to move toward her - stiffly as if he has no joints.
Rose continues to back away.)
ROSE TYLER: (spooked) You've got me. Very funny.
(The other male-dressed mannequins behind the lead mannequin also move and start
advancing toward Rose. She continues to back away.)
ROSE TYLER: (pissed) Right, I've got the joke.
(There's no answer. Rose isn't finding this funny at all. The mannequins
continue to advance toward her. Rose continues to back away.)
ROSE TYLER: Whose idea was this? Is it Derek's, is it? (unsure) Derek, is
this you?
(Rose glances behind her and finds more mannequins have surrounded her. She
backs away to the side, no longer finding any of it remotely funny.)
(She backs up and nearly trips over a stack of boxes behind her. She quickly
gets to her feet and continues to back away from the mannequins.)
(With nowhere else to go, she finds her back to the brick wall. The lead
mannequin raises his plastic arm up high.)
(Rose shuts her eyes tightly waiting for the attack.)
(Someone grabs Rose's hand securely.)
(Rose opens her eyes and turns to find a MAN next to her.)
THE DOCTOR: Run!
(He pulls her out of the room and she runs.)
(The mannequin's hand comes down hard in the very space where Rose stood. It
hits the wall pipe severing it in two - hot steam blasting out from the pipe.)
[INT. HENRIK'S DEPARTMENT STORE - BASEMENT CORRIDOR - NIGHT -- CONTINUOUS]
(The blue double doors open. Rose and the Doctor run out hand-in-hand into the
corridor. They don't stop.)
(Rose glances behind her and sees the mannequins are moving quickly behind them.
Rose and the Doctor continue running down the hallway.)
(They pass by mannequin displays and we see that even those mannequins are
moving, flailing their arms through the iron bars trying to grab them.)
(Rose and the Doctor run out of frame.)
[INT. HENRIK'S DEPARTMENT STORE - HALLWAY IN FRONT OF ELEVATOR - NIGHT -
CONTINUOUS]
(Rose and the Doctor burst out of the double doors leading them back to the
elevator. The Doctor presses the button and the elevator doors open. Rose
glances behind her as the Doctor pulls her into the elevator.)
(The mannequins have reached the double doors and are nearly to the elevators as
the doors start to close.)
[INT. HENRIK'S DEPARTMENT STORE - ELEVATOR - NIGHT -- CONTINUOUS]
(The Doctor presses the button to keep the doors closing. The lead mannequin
reaches an arm into the closing doors, its hand opening and closing with
pincher-like precision trying to grab the Doctor's neck.)
(The Doctor grabs the arm and pulls. He pulls and pulls and yanks the arm clear
off the mannequin. Rose flinches at the back of the elevator.)
(The elevator doors close on the mannequins.)
ROSE TYLER: You pulled his arm off.
THE DOCTOR: Yep.
(He tosses the arm at Rose. She catches it.)
THE DOCTOR: Plastic.
(The Doctor crosses his arms over his chest as he waits for the elevator to
stop. Rose looks at the arm.)
ROSE TYLER: Very clever, nice trick. Who are they, then? Students? Is this a
student thing or what?
THE DOCTOR: Why would they be students?
ROSE TYLER: I don't know.
THE DOCTOR: Well you said it. Why students?
ROSE TYLER: 'Cause to get that many people dressed up and being silly, they've
got to be students.
(The Doctor turns around and grins at Rose.)
THE DOCTOR: That makes sense. Well done.
ROSE TYLER: Thanks.
THE DOCTOR: They're not students.
ROSE TYLER: Well whoever they are, when Wilson finds them, he's gonna call the
police.
(The elevator stops.)
THE DOCTOR: Who's Wilson?
ROSE TYLER: Chief Electrician.
THE DOCTOR: Wilson's dead.
(The elevator doors open and the Doctor steps out quickly. Rose is stunned.)
[INT. HENRIK'S DEPARTMENT STORE - HALLWAY IN FRONT OF ELEVATOR - NIGHT -
CONTINUOUS]
(The Doctor moves quickly. He stops in front of the elevator button, the sonic
screwdriver in his hand. Rose strides out angrily.)
ROSE TYLER: That's just not funny. That's sick.
(The Doctor turns, grasps her shoulders and sets Rose firmly on the other side
of the elevator doors.)
THE DOCTOR: Hold on. Mind your eyes.
(He quickly turns and points the sonic screwdriver at the elevator call button.
It whirls and casts a blue light on the button.)
ROSE TYLER: (o.s.) I've had enough of this now.
(BAMM! A flash and white smoke. The elevator button explodes. The Doctor is
already moving. He turns and quickly hurries past Rose who is still carrying
the plastic arm.)
ROSE TYLER: (demanding) Who are you then? Who's that lot down there?
(There's no answer as she watches the Doctor go. Rose takes off after him.)
ROSE TYLER: I said, who are they?!
[INT. HENRIK'S DEPARTMENT STORE - CORRIDOR - NIGHT - CONTINUOUS]
(The Doctor continues to move. He leads her through corridor after corridor.
Rose follows.)
THE DOCTOR: They're made of plastic, living plastic creatures. They're being
controlled by a relay device on the roof which would be a great big problem if I
didn't have this.
(He whips out a hand-held device - as big as his hand, rectangular -- and shows
it to her.)
THE DOCTOR: So, ...
(He turns and quickly runs to the double doors at the end of the corridor. Rose
runs after him.)
THE DOCTOR: ... I'm gonna go upstairs and blow it up -
(He pushes the doors leading outside open.)
THE DOCTOR: -- and I might well die in the process, but don't worry about me,
no. You go home. Go on, go, and have your lovely beans on toast.
(He gently, but firmly leads her out of the building.)
[EXT. BACK ALLEY OUTSIDE HENRIK'S DEPARTMENT STORE - NIGHT - CONTINUOUS]
(Rose whirls around.)
THE DOCTOR: Don't tell anyone about this because if you do, you'd get them
killed.
(He pulls the door shut. SLAM! Stunned, Rose slowly turns away from the
store.)
(The door opens again. Rose whirls around.)
THE DOCTOR: (where are his manners?) I'm The Doctor, by the way. What's your
name?
ROSE TYLER: Rose.
THE DOCTOR: Nice to meet you, Rose.
(He holds up the hand-held device and wiggles it at her.)
THE DOCTOR: Run for your life!
(He pulls the door shut again. SLAM!)
(And everything's quiet.)
(Considering what's happened, Rose isn't going to linger. She starts running
out of the back alley, still holding the plastic arm.)
[EXT. STREET OUTSIDE HENRIK'S - NIGHT -- CONTINUOUS]
(Rose runs along the sidewalk. She glances behind her as she reaches the
intersection. There are cars and buses still on the road, people still on the
sidewalk. She slows down to a quick walk, turns the corner and presses her back
to the wall as she catches her breath.)
(Unsure of what to do, Rose glances around - she glances back at the store - she
glances at the people still out and about. She runs across the street and is
nearly run over by a black car, license #P854-SJD. BEEP-BEEP!)
DRIVER: Watch it!
ROSE TYLER: Oh!
(Rose makes it across the street alive. She glances back at Henrik's. Nothing.
She turns to continue on her way.)
(beat)
(BOOM! The top of Henrik's explodes.)
(Rose turns and sees explosion after explosion rock the top floor of the
building, taking it completely out.)
(People on the sidewalk run as the explosions rock the block.)
(Rose takes off running down the sidewalk, the plastic arm still in her grip.)
(She runs past a non-descript blue POLICE PUBLIC CALL BOX tucked away in the
side of the nearby building. Rose runs out of frame.)
(Camera lingers on the blue box.)
CUT TO:
[INT. TYLER APARTMENT - LIVING ROOM -- NIGHT]
(OPEN on the television NEWS 24 report at 20:45. The REPORT BANNER at the
bottom of the screen reads:
DEPARTMENT STORE BLAZE
Henricks dept. store ripped apart by explosion
(Various images of the fire are on the monitor.)
REPORTER: (from tv) The whole of Central London has been closed off as police
investigate the fire ...
(The plastic arm from the store is on the couch.)
(Jackie is on the cordless as she exits the kitchen carrying a cup of
something.)
JACKIE TYLER: (to phone) I know, it's on the telly! It's everywhere!
(She walks into the living room where Rose is slumped down on the couch, an open
magazine in her lap. She hands Rose the cup.)
JACKIE TYLER: (to phone) She's lucky to be alive! Honestly, it's aged her,
skin like an old bible. (Rose rolls her eyes.) Walk in here now and you'd
think I was her daughter. (re: Mickey) Oh, and here's himself.
(Jackie heads into the kitchen still talking continuously on the phone. Mickey
enters the room and rushes over to Rose.)
MICKEY SMITH: (anxious) I've been phoning your mobile. You could have been
dead! It's on the news and everything! I can't believe it. Your shop went up.
(He gives Rose a hug which she doesn't return as enthusiastically as she tries
not to spill her drink.)
ROSE TYLER: I'm all right, honestly. I'm fine, don't make a fuss.
(Mickey sits next to Rose.)
MICKEY SMITH: But what happened?
ROSE TYLER: I don't know.
MICKEY SMITH: What was it, though? What caused it?
ROSE TYLER: I wasn't in the shop. I was outside. I didn't see anything.
(Rose plops the magazine back on the coffee table as Jackie rushes back into the
living room.)
JACKIE TYLER: (to Rose) It's Debbie-on-the-end. She knows a man on "The
Mirror". Five hundred quid for an interview.
ROSE TYLER: Oh, that's brilliant. (motions) Give it here.
(Jackie hands Rose the phone. Rose takes it and hangs up, slamming the cordless
down on the coffee table.)
JACKIE TYLER: Well, you've got to find some way of making money. Your job's
kaputt and I'm not bailing you out.
(The phone rings; Jackie answers it.)
JACKIE TYLER: (to phone) Bev, she's alive! (Jackie heads out of the room.)
I've told her. Sue for compensation. She was within seconds of death ...
(Mickey takes the cup from Rose and stands up.)
MICKEY SMITH: What are you drinking? Tea? Nah, nah. That's no good, that's no
good. You're in shock. You need something stronger.
(Mickey takes Rose's hand.)
ROSE TYLER: I'm all right.
MICKEY SMITH: Come on, you deserve a proper drink. We're going down the pub,
you and me. My treat. How about it?
ROSE TYLER: (smiling) Is there a match on?
(Mickey settles down next to Rose again.)
MICKEY SMITH: (busted) No, no, I'm just thinking about you, babe.
ROSE TYLER: There's a match on, ain't there?
MICKEY SMITH: That's not the point. But we could catch the last five minutes.
ROSE TYLER: Go on, then. I'm fine, really. Go. Get rid of that.
(She points to the plastic arm on the chair. Grateful, Mickey smiles and
motions for Rose to give him a kiss. She does and he playfully pushes her back
to the couch. They laugh. He gets up and picks up the plastic arm. He waves
the plastic arm at her.)
MICKEY SMITH: (high-pitched) Bye bye!
(Rose chuckles. Mickey pretends the arm is strangling him.)
MICKEY SMITH: Ahhh!
(Rose smiles as Mickey leaves. She turns back to the news report.)
TV REPORTER: (from tv) -- fire then spread throughout the store. Fifteen fire
crews are in attendance, though, it's thought there's very little chance of
saving the infrastructure.
(Hold on Rose as she thinks.)
CUT TO:
[EXT. POWELL ESTATE (STOCK) - NIGHT]
(FAR SHOT. Establishing.)
[EXT. POWELL ESTATE - GROUND FLOOR - NIGHT]
(Mickey exits the building carrying the plastic arm. A dog barks in the
distance. Mickey chucks the arm in the trash bin as he walks past.)
(Camera moves in on the trash bin.)
(Off screen, we hear the sounds of plastic ... scampering.)
FADE OUT.
[CU: DIGITAL CLOCK - 7:29]
(It's 7:30. BEEP-BEEP-BEEP! The alarm clock blares. SLAM! A hand shuts it
off.)
[INT. TYLER APARTMENT - ROSE'S BEDROOM -- MORNING]
(Rose is awake - bushy haired, bleary-eyed. She pauses and remembers. She sits
up.)
JACKIE TYLER: (o.s.) There's no point in getting up, sweetheart. You've got
no job to go to.
(Rose falls back on the bed.)
[INT. TYLER APARTMENT - LIVING ROOM -- MORNING]
(Rose sits at the dining room table, thinking. Jackie is moving around still
dressed in a pink robe.)
JACKIE TYLER: There's Finch's. You could try them. They've always got jobs.
(Jackie exits the kitchen with a cup and sits down at the table.)
ROSE TYLER: (groans) Oh great, the butcher's.
JACKIE TYLER: Well it might do you good. That shop was giving you airs and
graces. And I'm not joking about compensation. (She stands up) You've had
genuine shock and trauma. Arianna got two-thousand quid off the council just
'cause the old man behind the desk said she looked Greek. I know she is Greek,
but that's not the point. (Jackie heads into her bedroom.) It was a valid
claim.
(Rose smiles. It's quiet again. Then, she hears scampering noises and the cat
flap closing.)
(She whirls around, stands up and heads over to the front door.)
ROSE TYLER: Mum, you're such a liar. I told you to nail that cat flap down.
We're gonna get strays.
(Rose checks the flap on the bottom of the front door.)
JACKIE TYLER: (o.s.) I did it weeks back.
ROSE TYLER: No, you thought about it.
(She finds three nails on the floor in front of the cat flap. She picks one up
and looks at it.)
(Suddenly, the flap moves, startling her.)
(Rose gets down on her knees for a closer look. She pushes the flap a little -
a test. Then, she pushes the flap completely open.)
(There on the other side, she sees the Doctor peering back at her.)
(She gasps, releases the flap, surges to her feet and quickly opens the door.)
(The Doctor get to his feet, genuinely surprised to see Rose there.)
THE DOCTOR: What are you doing here?
ROSE TYLER: I live here.
THE DOCTOR: Well what do you do that for?
ROSE TYLER: Because I do. And I'm only at home because someone blew up my job.
(The Doctor digs into his jacket pocket and takes out the sonic screwdriver. He
turns it on, testing. It whirs, a blue light shining from the tip.)
THE DOCTOR: I got the wrong signal. (then) You're not plastic, are you?
(He raps his knuckles against her forehead.)
THE DOCTOR: Nope, bone head. Bye, then.
(He turns to leave. Rose grabs his arm and pulls him inside.)
ROSE TYLER: You. Inside. Right now.
(She firmly sets him in the hallway and closes the door.)
JACKIE TYLER: (o.s.) Who is it?
(Rose heads for Jackie's room. The Doctor rolls his eyes. Domestic.)
[INT. TYLER APARTMENT - JACKIE'S BEDROOM - MORNING -- CONTINUOUS]
(Rose lingers in the doorway. Jackie's sitting at the edge of her bed and still
in her robe.)
ROSE TYLER: It's about last night. He's part of the inquiry. Give us ten
minutes.
(Rose turns and leaves.)
JACKIE TYLER: (loudly) She deserves compensation.
(The Doctor appears in the doorway. Jackie perks up.)
THE DOCTOR: (absently) Oh, we're talking millions.
(The Doctor glances behind him and around at the apartment. Jackie stands up
and clears her throat.)
JACKIE TYLER: (coyly) I'm in my dressing gown.
(From looking up at the ceiling, the Doctor glances at Jackie.)
THE DOCTOR: Yes, you are.
(He goes back to looking at the ceiling.)
JACKIE TYLER: There's a strange man in my bedroom.
(He looks at her.)
THE DOCTOR: Yes, there is.
JACKIE TYLER: (flirts) Well ... anything could happen.
(beat)
(The Doctor shakes his head.)
THE DOCTOR: No.
(He quickly leaves. Jackie makes a face.)
[INT. TYLER APARTMENT - LIVING ROOM - MORNING -- CONTINUOUS]
(Rose stacks the magazines on the coffee table, trying to tidy up a little.)
ROSE TYLER: Don't mind the mess. Do you want a coffee?
(The Doctor walks in as Rose enters the kitchen.)
INTERCUT WITH: ROSE IN THE KITCHEN
(They talk, a wall between them. The window hole is open and whenever the
camera's on Rose, we can also see the Doctor in the living room.)
THE DOCTOR: Might as well. Thanks, just milk.
(The Doctor picks up a tabloid magazine "HEAT" from off the coffee table and
leafs through it.)
(In the kitchen, Rose starts making coffee.)
ROSE TYLER: We should go to the police. Seriously, both of us.
(The Doctor chuckles at what he sees in the magazine.)
THE DOCTOR: (mutters) Ha! That won't last. He's gay and she's alien.
ROSE TYLER: (continues) I'm not blaming you even if it was some sort of joke
that just went wrong.
(The Doctor picks up a paperback book and flips quickly through it.)
THE DOCTOR: Hmm. Sad ending.
(He sets the book aside as he walks around the room, curiously looking at
various things - bored and curious.)
ROSE TYLER: It said on the news they found a body.
(He picks up some mail off the table and looks at the label.)
THE DOCTOR: (reads) Rose Tyler.
(He glances absently at the wall mirror and sees his reflection. He puts the
mail down and studies his own image.)
THE DOCTOR: Ah, could have been worse. (He flips his ear lobes with his
fingertips.) Look at the ears.
ROSE TYLER: Just saying he was nice. He was a nice bloke.
(The Doctor picks up a deck of cards.)
THE DOCTOR: (sings to himself) Luck be a Lady --
(He shuffles the cards from one hand to the other expertly.)
ROSE TYLER: (continues) Anyway, if we are gonna go to the police, I want to
know what I'm saying.
(He shuffles the cards again and they fly everywhere.)
THE DOCTOR: (mutters sheepishly) -- or maybe not.
ROSE TYLER: (continues) I want you to explain everything.
(Then he hears the scampering/scuttling noises. Rose doesn't hear it.)
THE DOCTOR: What's that then?
(He looks around for the source of the sound and puts a knee on the couch to
look behind it.)
THE DOCTOR: Have you got a cat?
ROSE TYLER: No.
(The plastic arm pops out from behind the couch and grabs the Doctor's neck -
its plastic fingers wrapped tightly around his throat.)
(The Doctor grabs the plastic arm's wrist, trying to get it off. He surges to
his feet, struggling with the arm choking him. He hops backward across the
living room.)
ROSE TYLER: (o.s.) We did have, but we just get strays.
(In the kitchen, Rose pours the coffee into two cups. Through the window hole,
we see the Doctor struggling silently with the plastic arm.)
ROSE TYLER: They come in off the estate.
(The Doctor falls out of view.)
(Finished with the coffee, Rose picks up the mugs and heads back into the living
room.)
(She sees the Doctor with the plastic arm's hand around his neck, and thinking
that he's playing just like Mickey did the night before, she doesn't pay too
much attention to the Doctor struggling with the arm.)
(She walks right past him and puts the cups on the coffee table.)
ROSE TYLER: I told Mickey to chuck that out. You're all the same. Give a man
a plastic hand ... anyway, I don't even know your name. Doctor what was it?
(The Doctor manages to get the plastic arm off his neck. He flings it across
the room. The plastic arm stops mid-air, opens up and leaps over to Rose,
grasping her face with its palm.)
ROSE TYLER: (gasps) Ahh!
(Rose falls back against the wall. The Doctor immediately surges to his feet to
help her. The two of them both try to get the plastic arm off her face.)
(He pulls and pulls, but the thing won't give.)
[INT. TYLER APARTMENT - JACKIE'S BEDROOM - MORNING -- CONTINUOUS]
(In the bedroom, Jackie reaches for her hair dryer and turns it on. The noise
effectively blocks out all other sounds coming from the living room.)
[INT. TYLER APARTMENT - LIVING ROOM - MORNING -- CONTINUOUS]
(The Doctor pulls and pulls again hard - and Rose goes flying into the Doctor,
pushing him backward into the coffee table, smashing it.)
CRASH!
(They roll over and Rose falls up and back onto the couch, soundlessly
struggling to get the plastic hand off her face.)
(The Doctor reaches into his jacket and takes out the sonic screwdriver. He
presses the button and it whirs. The hand immediately comes off Rose's face.
The plastic fingers continue to twitch and the Doctor clicks setting after
setting, trying to find the right one to turn the hand off.)
(He finds the right setting and jams it in the center of the plastic palm. The
hand stops moving.)
(The suspenseful music ends.)
THE DOCTOR: It's all right, I've stopped it. There you go, you see?
(He grins and chucks the arm to her. She gasps as she catches it.)
THE DOCTOR: 'armless.
ROSE TYLER: D'you think?
(She whacks him with the plastic arm.)
THE DOCTOR: (rubs his arm) Ow.
CUT TO:
[EXT. TYLER APARTMENT - STAIRS -- DAY]
(The Doctor's moving quickly down the stairwell. Rose is hot on his heels
following him - and keeping up, too.)
ROSE TYLER: Hold on, a minute. You can't just go swanning off.
THE DOCTOR: Yes, I can. Here I am. This is me -- swanning off. See ya.
(The Doctor is carrying the plastic arm. But Rose isn't about to lose him.)
ROSE TYLER: But that arm was moving. It tried to kill me.
THE DOCTOR: Ten out of ten for observation.
ROSE TYLER: You can't just walk away! That's not fair! You've got to tell me
what's going on.
THE DOCTOR: No, I don't.
[EXT. TYLER APARTMENT BUILDING / POWELL ESTATE - FRONT - DAY -- CONTINUOUS]
(The Doctor reaches the bottom and exits the building. His attention is on the
arm as he looks at it. Rose is still on his heels and exits the building as
well.)
ROSE TYLER: All right, then, I'll go to the police. I'll tell everyone. You
said if I did that I'd get people killed, so, your choice. Tell me or I'll
start talking.
THE DOCTOR: (grinning) Is that supposed to sound tough?
ROSE TYLER: Sort of.
THE DOCTOR: Doesn't work.
ROSE TYLER: Who are you?
THE DOCTOR: Told you, The Doctor.
ROSE TYLER: Yeah, but, doctor what?
THE DOCTOR: Just 'The Doctor'.
ROSE TYLER: 'The Doctor'?
(He grins and waves at her.)
THE DOCTOR: Hello.
(She chuckles. She's getting nowhere with him. She continues to follow him as
he walks quickly down the walkway.)
ROSE TYLER: (grinning) Is that supposed to sound impressive?
THE DOCTOR: Sort of.
(She runs a little and catches up with him. She matches him pace for pace.)
ROSE TYLER: (friendlier) Come on, then. You can tell me. I've seen enough.
Are you the police?
THE DOCTOR: No! I was just passing through. I'm a long way from home.
ROSE TYLER: But what have I done wrong? How come those plastic things keep
coming after me?
THE DOCTOR: (scoffs) Oh, suddenly the entire world revolves around you. You
were just an accident. You got in the way, that's all.
ROSE TYLER: It tried to kill me!
THE DOCTOR: It was after me, not you. Last night in the shop I was there, you
blundered in, almost ruined the whole thing. This morning I was tracking it
down; it was tracking me down. The only reason it fixed on you is because you'd
met me.
ROSE TYLER: So what you're saying is ... the entire world revolves around you?
(She tosses his words right back at him.)
THE DOCTOR: Sort of, yeah.
ROSE TYLER: (enjoying herself) You're full of it!
(He hasn't stopped grinning.)
THE DOCTOR: Sort of, yeah.
(He continues walking quickly.)
ROSE TYLER: But all this plastic stuff, who else knows about it?
THE DOCTOR: No one.
ROSE TYLER: What, you're on your own?
THE DOCTOR: Well who else is there? I mean, you lot, all you do is eat chips,
go to bed, and watch telly while all the time underneath you, there's a war
going on.
(Rose reaches across him and grabs the plastic arm from him, taking ownership of
the plastic arm for herself. For now.)
ROSE TYLER: Okay. Start from the beginning ...
[EXT. POWELL ESTATE - DAY - CONTINUOUS]
(FAR SHOT: Rose continues to walk with the Doctor across the lawn. She keeps
up with him, her pace matching his perfectly - stride for stride.)
ROSE TYLER: (curious) I mean, if we're gonna go with the living plastic -- and
I don't even believe that, but, if we do -- how did you kill it?
THE DOCTOR: This thing controlling it projects life into the arm. I cut off the
signal dead.
ROSE TYLER: So that's radio control?
THE DOCTOR: Thought control.
(Rose is suddenly very quiet.)
THE DOCTOR: (gently) Are you all right?
ROSE TYLER: Yeah. (beat) So, who's controlling it then?
THE DOCTOR: Long story.
(They continue walking. This time, as they turn the corner, Rose is a little in
front of the Doctor, even.)
ROSE TYLER: But what's it all for? I mean, shop window dummies -- what that's
about? Is someone trying to take over Britain's shops?
(The Doctor laughs genuinely amused -- causing Rose to laugh with him.)
THE DOCTOR: No.
(Their grins are huge.)
ROSE TYLER: Well, no.
THE DOCTOR: It's not a price war.
(They both chuckle.)
THE DOCTOR: They want to overthrow the human race and destroy you. (The
laughter stops, but he's gotta know. He turns to look at her.) Do you believe
me?
ROSE TYLER: (shakes her head) No.
THE DOCTOR: But you're still listening.
(Rose stops walking. The Doctor continues on.)
ROSE TYLER: Really though, Doctor. Tell me. Who are you?
(The Doctor stops and turns around. He considers it a moment and smiles a
little.)
THE DOCTOR: You know, like we were saying? About the Earth revolving?
(Rose is listening. He walks back to her.)
THE DOCTOR: It's like when you're a kid. The first time they tell you that the
world's turning and you just can't quite believe it because everything looks
like it's standing still.
(He turns and looks directly at her.)
THE DOCTOR: I can feel it ...
(He takes her hand in his and holds it. As he speaks, Rose is captivated.)
THE DOCTOR: ... the turn of the earth. (He looks away, his mind on the words
and the belief, his voice growing with intensity and conviction.) The ground
beneath our feet is spinning at a thousand miles an hour and the entire planet
is hurtling around the sun at sixty-seven thousand miles an hour and I can feel
it. (powerfully intense) We're falling through space, you and me, clinging to
the skin of this tiny little world and if we let go ...
(He releases her hand and it drops to her side. He turns and looks directly at
her.)
THE DOCTOR: That's who I am. Now forget me, Rose Tyler.
(He takes the plastic arm from her and waves it at her.)
THE DOCTOR: Go home.
(In the background, we see the blue police public call box. The Doctor turns
and heads across the street. He doesn't look back.)
(Rose is quiet and thoughtful as she watches him go. Without a word, she turns
and starts walking along the sidewalk leading back to the apartments.)
ANGLE - THE DOCTOR
(The doctor walks to the blue police public call box. He takes his key out from
his pocket to unlock the door.)
ANGLE -- ROSE
(Rose continues down the walkway. A strong wind blows and Rose turns around to
look. In the distance, she hears grinding noises. Without knowing fully why,
she starts running back down the path.)
ON: ROSE
(The mechanical grinding noises continue and even seem to get louder. Rose
stops running abruptly and puts an arm up to shield her eyes.)
ROSE'S POV
(The grinding noises fade and across the street, both the Doctor and the blue
box are gone.)
(Rose doesn't see anything. She turns and heads back slowly, looking around as
she goes.)
CUT TO:
[INT. MICKEY SMITH'S APARTMENT (#90) -- DAY]
(Mickey opens the door and finds Rose there.)
MICKEY SMITH: Hey-hey! Here's my woman. Kit off.
(He slaps her bum as she steps into the apartment.)
ROSE TYLER: Oh, shut up.
(He shuts the door and pauses for a quick kiss. MWAH! He leads her into the
apartment.)
MICKEY SMITH: Coffee?
ROSE TYLER: Yeah, only if you wash the mug and I don't mean rinse. I mean wash.
Can I use your computer?
MICKEY SMITH: Yeah.
(And she's off. He lingers in the kitchen doorway.)
MICKEY SMITH: (amused) Any excuse to get into the bedroom.
(He steps into the kitchen and remembers.)
MICKEY SMITH: (shouts) Don't read my e-mails!
[INT. MICKEY'S APARTMENT - BEDROOM - DAY - CONTINUOUS]
(Rose is sitting in front of the computer. At SEARCH-WISE[dot]net, Rose types
in: Doctor.)
(She clicks search and comes up with 17,700,000 results.)
(She tries another search: Doctor Living Plastic.)
(She clicks search and comes up with 55,300 results. Better.)
(She tries another search: Doctor Blue Box.)
(She clicks 'search' and comes up with 493 results. The very first on the list
is:
Doctor Who? -
... do you know this man
contact Clive here. ...
27k - Cached - similar pages
(She clicks on the link and hits pay dirt. It immediately takes her to a
website:
DOCTOR WHO?
(Underneath is a blurry close-up image photo image of the Doctor. Under that,
is:
HAVE YOU SEEN THIS MAN
CONTACT CLIVE. )
CUT TO:
[EXT. CLIVE'S STREET -- DAY]
(Mickey's yellow VW bug, license #RLF 77IR, turns onto the street. He parks
alongside the curb side.)
ROSE TYLER: (v.o.) You're not coming in.
[INT. CAR (PARKED) - DAY]
(Mickey sits behind the wheel. Rose removes her seat belt.)
ROSE TYLER: He's safe. He's got a wife and kids.
MICKEY SMITH: Yeah. Who told you that? He did. That's exactly what an
internet lunatic murderer would say.
(Rose gets out of the car and shuts the door. She knocks on the car window
before she heads for the house. She walks past the neighbor setting out his
trash bin, #3, on the sidewalk. Mickey watches him. The neighbor looks at him
as he heads back into the house.)
(Mickey settles back in his seat and watches.)
[EXT./INT. CLIVE'S HOUSE - DAY -- CONTINUOUS]
(Rose knocks on the front door. She glances back at Mickey. Mickey watches her
from his car. The door opens and Rose greets a young boy wearing a shirt with
45 on it.)
ROSE TYLER: Um, hello. I've come to see Clive? We've been e-mailing.
CLIVE'S SON: (shouts) Dad! It's one of your nutters.
(The boy turns and heads back in the house. Rose glances around waiting. Clive
steps out from one of the rooms and sees Rose.)
CLIVE: Oh, sorry. Hello. You must be Rose. (They shake hands.) I'm Clive,
obviously.
ROSE TYLER: I'd better tell you now my boyfriend's waiting in the car just in
case you're going to kill me.
(She indicates the yellow VW behind her. Mickey rolls down his car window.)
CLIVE: (chuckles) No, good point. No murders.
(Clive waves and smiles to Mickey who glares back toughly at him.)
CAROLINE: (o.s.) Who is it?
CLIVE: Oh, it's something to do with the Doctor. She's been reading the
website. (to Rose) Please come through. I'm in the shed.
(He motions Rose into the house and they head for the back. The front door is
left wide open. Caroline comes down the stairs carrying a basket of clothes.)
CAROLINE: She? She's read a website about the Doctor? (amused) She's a she?
(Caroline closes the front door.)
(Mickey continues to sit in his car looking tough behind the driver's wheel.)
CUT TO:
[EXT. CLIVE'S SHED - DAY - CONTINUOUS]
(The shed is a separate unit behind the back of the house.)
CLIVE: (v.o.) A lot of this stuff's quite sensitive. I couldn't just send it
to ya.
[INT. CLIVE'S SHED - DAY - CONTINUOUS]
(Clive and Rose are in his shed -- a semi-storage, semi-den of sorts. It's lit
by various desk lamps and by sunlight shining through holes in the covered
window. The tables are covered with stacks of files and books and there's a
computer on the desk in front of the window. A bike hangs from the ceiling out
of the way.)
(Clive walks over to the shelf and takes an album down.)
CLIVE: People might intercept, if you know what I mean. If you dig deep enough
and keep a lively mind, this Doctor keeps cropping up all over the place:
Political diaries, conspiracy theories, even ghost stories. No first name, no
last name, just 'The Doctor'. Always: 'The Doctor'. And the title seems to be
passed down from father to son as it appears to be an inheritance. That's your
Doctor there, isn't it?
(He turns and points to the blurry picture on the web page.)
ROSE TYLER: Yeah.
CLIVE: I tracked it down to the Washington public archive just last year. The
online photo's enhanced but if we look at the original ...
(From the album, the takes out a photo. The Doctor's image is circled in red.
He shows Rose the same photo, only taken further away - there's a police
motorcade on the road. He points out the Doctor in the crowd. He shows her a
third photo of the same motorcade, this time showing a very familiar photo of
President Kennedy in the convertible - the Doctor in the crowd.)
CLIVE: November 22, 1963, the assassination of President Kennedy. See?
(The image of the Doctor is circled in red.)
ROSE TYLER: It must be his father.
CLIVE: Going further back, April, 1912.
(Clive takes out another photo.)
CLIVE: This is a photograph of The Dailys of South Hampton and friend.
(He shows her a black and white old-fashioned photo of a family in period dress.
He points out the man standing in the far left of the photo.)
CLIVE: This was taken the day before they were due to sail for the new world on
the Titanic. But for some unknown reason, they cancelled the trip and survived.
And here we are -
(He puts that photo down and takes a sketch off the wall. It's the Doctor in
his leather jacket and standing in front of a grass shack and palm trees, a
smoking volcano in the background.)
CLIVE: 1883. Another Doctor. Look, the same lineage. It's identical. This
one washed up on the coast of Sumatra on the very night that Krakatoa exploded.
The Doctor is a legend woven throughout history. When disaster comes, he's
there. He brings a storm in his wake and has one constant companion.
ROSE TYLER: Who's that?
CLIVE: Death.
CUT TO:
[EXT. STREET]
(Mickey's yellow VW bug is parked on the street. He peers out the driver's
window looking at the house Rose went into.)
(He looks around the area, waiting.)
(As he waits, we see the trash bin move forward a bit ... inch by inch, it gets
closer to Mickey's car.)
(Mickey turns and sees the trash bin moving.)
INTERCUT WITH:
[INT. CLIVE'S SHED]
(Clive continues.)
CLIVE: (intense) If the Doctor's back, if you've seen him, Rose, then one
thing's for certain; we're all in danger.
[EXT. STREET]
(Mickey cranes his neck out the open window to look at the trash bin. It's
stopped moving. He stares at the bin. It starts moving again.)
(Mickey opens the car door and stares at the moving trash bin. It keeps
rumbling forward - inch by inch. He gets out of the car and walks over to the
trash bin. He looks behind it to see whether there are any strings or wires
pulling the thing. There's nothing.)
(He reaches out and opens the lid quickly, thinking perhaps there's someone
inside.)
MICKEY SMITH: Come on then!
(But the bin is empty.)
[INT. CLIVE'S SHED]
(Clive carries the album back to the shelf.)
CLIVE: If he singled you out, the Doctor's making housecalls ...
(He turns and looks at Rose.)
CLIVE: ... then God help ya.
[EXT. STREET]
(Mickey shuts the trash bin lid and tries to walk away only to find his fingers
stuck to the plastic. Or the plastic stuck to his fingers.)
MICKEY SMITH: Huh?
(It's Mickey versus the CGI trash bin. The plastic sticks to him and stretches
- not letting him go. He's stuck. He pulls and tugs, but finds it not working.
He's securely stuck to the bin cover.)
(He takes a step back away from the bin, the plastic stretching as he steps
further away. The trash bin fights back, arching and growling as Mickey
struggles to peel himself free.)
(The lid snaps shut and Mickey is pulled back to the bin.)
MICKEY SMITH: Ugh!
(Bracing himself, he tries again. Pulling and tugging, the plastic stretches.
The trash bin growls.)
(Mickey steps back and pulls ... and pulls ... and pulls.)
(The trash bin lid growls and snaps. Mickey turns around, his hands over his
head as he tries to get a better grip on the stretched plastic.)
(The trash bin growls. The lid snaps and Mickey goes flying backward - head
first, feet up and over and he lands inside the trash bin.)
MICKEY SMITH: Ahh!
WHUMP!
(The lid snaps shut. Mickey is gone. Life on the street is quiet once again.)
BURP!
(The trash bin belches.)
[INT. CLIVE'S SHED]
ROSE TYLER: But who is he? Who do you think he is?
CLIVE: I think he's the same man. I think he's immortal.
(He leans forward, quietly intense.)
CLIVE: I think he's an alien from another world.
(And at that, Rose is very quiet.)
CUT TO:
[EXT. CLIVE'S STREET -- DAY]
(Rose walks across the street and returns to the car.)
ROSE TYLER: All right, he's a nutter, off his head, complete online conspiracy
freak. You win.
(She opens the car door and gets inside.)
ROSE TYLER: So what are we going to do tonight? I fancy a pizza.
(Mickey smiles brightly. His hair ... plastic; his skin shining with the gleam
of ... more plastic.)
(PLASTIC) MICKEY SMITH: Pizza! Puh-puh-puh-pizza.
(Rose doesn't notice.)
ROSE TYLER: Or Chinese.
(PLASTIC) MICKEY SMITH: Pizza.
(Plastic Mickey starts the engine and drives away - the car braking at irregular
intervals and weaving erratically from left to right on the road.)
CUT TO:
[INT. RESTAURANT - DINING ROOM -- NIGHT]
(Rose and Plastic Mickey are having dinner.)
ROSE TYLER: (rambles) Do you think I should try the hospital? Suki said they
had jobs going in the canteen. Is that it, then, dishing out chips? I could do
A-levels. I don't know. It's all Jimmy Stone's fault. I only left school
because of him and look where he ended up. What do you think?
(PLASTIC) MICKEY SMITH: So where did you meet this Doctor?
ROSE TYLER: Oh, I'm sorry. Was I talking about me for a second?
(PLASTIC) MICKEY SMITH: (interrupts) 'Cause I reckon it all started at the
shop. Am I right? Was he something to do with that?
ROSE TYLER: No.
(PLASTIC) MICKEY SMITH: Come on.
ROSE TYLER: Sort of.
(PLASTIC) MICKEY SMITH: What was he doing there?
ROSE TYLER: I'm not going on about it, Mickey, really, I'm not. I know it
sounds daft, but I don't think he's safe. (quietly) He's dangerous.
(PLASTIC) MICKEY SMITH: But you can trust me, sweetheart (stutters
mechanically, abrupt cuts with each word) -- babe - darling -- babe -- sugar.
(Rose stares at him.)
(PLASTIC) MICKEY SMITH: You can tell me anything. Tell me about the Doctor and
what he's planning and I can help you, Rose, 'cause that's all I really want to
do sweetheart - (stutters mechanically, abrupt cuts with each word) -- babe --
babe -- babe -- sugar -- sweetheart.
ROSE TYLER: (confused) What are you doing that for?
(A waiter appears next to the table holding a bottle of champagne. Other than
the black leather jacket sleeves, we don't see who it is.)
WAITER: (o.s.) Your champagne.
(PLASTIC) MICKEY SMITH: (not looking) We didn't order any champagne. (The
waiter moves.) Where's the Doctor?
(Plastic Mickey puts his plastic hand over Rose's hand on the table. His hand
creaks like stretched plastic.)
(The waiter appears on the other side of Rose, still holding out the bottle of
champagne.)
WAITER: (o.s.) Madam, your champagne.
ROSE TYLER: It's not ours. (concerned) Mickey, was is it? What's wrong?
(PLASTIC) MICKEY SMITH: I need to find out how much you know. So where is he?
WAITER: (o.s.) Doesn't anybody want this champagne?
(PLASTIC) MICKEY SMITH: Look, we didn't order it -
(He looks up and sees ... it's the Doctor.)
(PLASTIC) MICKEY SMITH: Ah, gotcha.
(Rose turns to see the Doctor shaking the bottle of champagne vigorously.)
THE DOCTOR: Don't mind me. I'm just toasting the happy couple. On the house!
(He pops the cork straight at Plastic Mickey's face. POP! The cork flies and
hits Plastic Mickey square in the center of his plastic forehead.)
BOI-OING!
(Mickey's plastic forehead absorbs the cork and seals up once again. He chews a
bit and the spits the cork out of his mouth.)
(The Doctor and Rose watch the cork bounce off the table and fall to the floor.)
(Plastic Mickey looks at the Doctor and gets to his feet.)
(PLASTIC) MICKEY SMITH: Anyway ...
(He holds out both his hands and they CGI morph into large flat chisels.
Someone screams. Rose stands and gets out of the way. Plastic Mickey karate
chops the table in two.)
(The Doctor jumps forward and grabs Plastic Mickey's head in a choke hold and
tugs ... and tugs ... and tugs.)
POP!
THE DOCTOR: Aghh!
(Plastic Mickey's head comes clear off his plastic neck. The momentum causes
the Doctor and the plastic head to fall forward - while the headless plastic
body falls backward into another table.)
(Patrons nearby scream.)
(The Doctor is holding the head when Plastic Mickey's eyes pop open. It's still
alive.)
(PLASTIC) MICKEY SMITH: (manic) Don't think that's gonna stop me.
(The MAN nearby screams. The Doctor smiles at the Plastic Mickey head.)
(Suddenly, the Plastic Mickey body gets up - headless and strong. Patrons
scream.)
(Rose turns and hits the fire alarm.)
ROSE TYLER: (shouts) Everyone out! Out now!
(Rose and The Doctor, who is carrying Plastic Mickey's head, run off for the
back of the restaurant while the other patrons head for the front.)
(The Plastic Mickey headless body with hard chisels for hands karate chops
tables and whatever else is in its way.)
ROSE TYLER: (o.s.) Get out! Get out! Get out!
[INT. RESTAURANT - KITCHEN - NIGHT -- CONTINUOUS]
(The workers in the kitchen dive for cover as Rose and the Doctor run straight
through the kitchens trying to get out.)
[INT. RESTAURANT - DINING ROOM - NIGHT -- CONTINUOUS]
(The headless Plastic Mickey body flails its chisel-like arms blindly, smashing
things as it heads for the kitchens.)
[INT. RESTAURANT - BACK HALLWAY - NIGHT -- CONTINUOUS]
(Rose runs down the back hallway, the Doctor close behind her. As soon as they
leave camera frame, the headless body also makes its way down the hallway.)
(Rose reaches the metal back door and exits the building. The Doctor just
behind her. He slams the door shut.)
(The headless body kicks a plastic bucket and other things as it runs through
the hallway.)
INTERCUT WITH:
[EXT. BACK ALLEY - NIGHT -- CONTINUOUS]
(The Doctor pushes his shoulder into the closed metal door as he digs into his
pockets.)
(The headless body bangs its chisel-like hands against the metal door. BANG-
BANG!)
(The Doctor pulls out his sonic screwdriver and it whirls as he uses it on the
metal door, sealing it shut. BANG-BANG-BANG!)
(Rose runs to the end of the alleyway - right past the blue box - and to the
metal gate blocking their getaway path. She tries it and finds it padlocked and
chained shut.)
ROSE TYLER: (panicked) Open the gate! Use that tube thing, come on!
(The Doctor saunters away from the building, slower and more in control.
Incredibly calm for someone being chased by living plastic.)
THE DOCTOR: Sonic screwdriver.
(He tucks the sonic screwdriver back in his pocket. The banging on the metal
door continues in the background.)
ROSE TYLER: (o.s.) Use it!
THE DOCTOR: Nah.
(The Doctor heads for the blue POLICE PUBLIC CALL BOX.)
THE DOCTOR: Tell you what. Let's go in here.
(Rose looks at him with disbelief. The Doctor takes his keys out and unlocks
the TARDIS door.)
BANG!
(The metal door has one more dent in it.)
(The Doctor opens the door and steps inside. Rose runs toward the box.
ROSE TYLER: You can't hide inside a wooden box.
BANG-BANG!
(The Metal door shakes with every hit. BANG! Rose runs back to the metal gate.
She tries to open the chain with her bare hands.)
ROSE TYLER: (screams) He's gonna get us!
(Finally beyond panic, she turns and runs to the TARDIS.)
ROSE TYLER: Doctor!
[INT. TARDIS - NIGHT -- CONTINUOUS]
(She pushes the door open and slips inside, shutting the door behind her.)
ON ROSE
(Rose turns around and stops abruptly. Her eyes are wide and shift from side to
side at whatever it is that she's seeing.)
(We hear the whirl of the TARDIS engines in the background.)
(Rose promptly turns around and heads back out the door --
[EXT. BACK ALLEY - NIGHT -- CONTINUOUS]
-- and into the alley as she backs away from the blue POLICE PUBLIC CALL BOX.
What the hell is it? The banging on the metal door hasn't stopped. That thing
inside is still trying to get them. She turns and glances back at the door.
She's got some time. She takes a moment and walks completely around the
TARDIS.)
(She stares at the box. The blue box. It's exactly what it looks like - on the
outside.)
(Suddenly, the chiseled hand breaks through the metal door.)
(Taking her chances, Rose runs at high speed toward the TARDIS.)
(She pushes the doors wide open --
[INT. TARDIS - NIGHT - CONTINUOUS]
-- and bursts into the TARDIS.)
ROSE TYLER: It's gonna follow us.
ON ROSE
(She runs up the ramp and stops. Again. The doors shut closed behind her.
Cameras remain behind her so we see what she sees. In front of her, the Doctor
is walking around the center console, his sonic screwdriver held against the
Plastic Mickey Head in his hand.)
THE DOCTOR: The assembled hordes of Ghengis Khan couldn't get through that door
and believe me, they've tried. Now shut up a minute.
STILL ON ROSE
(The camera PANS UPWARD AND OUT so we get to see just how large the inside of
the TARDIS really is and what had her stunned the first time inside.)
(The TARDIS is huge and circular, the console in the center of the room. Wires
hang and run from the center engine outward. The floor is wire grating over
more of the ship's engines. Completely impressive - and completely alien.)
(The Doctor continues to work with the plastic head. He pushes various wires
into the head as he hooks it up to the console.)
THE DOCTOR: You see, the arm is too simple, but the head's perfect. I can use
it to trace the signal back to the original source.
(Finished, he sets the head down on the console and turns around to address
Rose.)
THE DOCTOR: Right. Where do you want to start?
ROSE TYLER: (suppressed calm) Um, the inside's bigger than the outside?
THE DOCTOR: Yes.
ROSE TYLER: It's alien.
THE DOCTOR: Yeah.
ROSE TYLER: Are you alien?
(very serious)
THE DOCTOR: (nods) Yes. (beat) Is that all right?
ROSE TYLER: Yeah.
THE DOCTOR: It's called the TARDIS, this thing. T-A-R-D-I-S, that's Time and
Relative Dimension in Space.
(Rose bursts into tears.)
THE DOCTOR: That's okay. Culture shock. Happens to the best of us.
ROSE TYLER: Did they kill him? Mickey? Did they kill Mickey? Is he dead?
THE DOCTOR: (confused, takes him a moment) Oh, I didn't think about that.
ROSE TYLER: He's my boyfriend. You pulled off his head. They copied him and you
didn't even think? (angry) And now you're just gonna let him melt?!
(She points to the head.)
THE DOCTOR: Melt -- ?
(The Doctor whirls around and sure enough, the Plastic Mickey head is melting on
the console.)
THE DOCTOR: Ah, no, no, no! No!
(The Doctor runs around the console.)
ROSE TYLER: What are you doing?
(He presses a lever and runs around to the other side of the console.)
THE DOCTOR: Following the signal! It's fading.
(He turns a knob. The TARDIS engines groan and grind.)
THE DOCTOR: (to the signal) Wait. Oh, no you don't.
(He stops in front of the monitor jimmy-rigged to the console.)
THE DOCTOR: No! No! No, no, no, NO!!
(He waits as the TARDIS follows the signal. The engines get louder and louder.)
THE DOCTOR: Almost there, almost there. Here we go.
(The Doctor turns and runs past Rose for the door as the engines stop.
(Rose whirls around.)
ROSE TYLER: (shouts) You can't go out there! It's not safe!
(The door is open. Rose runs to the door and stops as she looks outside --
[EXT. EMBANKMENT - NIGHT - CONTINUOUS]
-- and finds it completely different from the alleyway she was just in.)
(The Doctor paces outside, pissed.)
THE DOCTOR: I've lost the signal. I got so close.
(Rose steps outside and the door closes behind her. The Doctor braces his hands
against the stone wall as he looks out at the Thames.)
ROSE TYLER: We've moved. Does it fly?
THE DOCTOR: It disappears there and reappears here. You wouldn't understand.
ROSE TYLER: But if we're somewhere else, what about that headless thing? It's
still on the loose.
THE DOCTOR: It melted with the head. Are you gonna witter on all night?
(The Doctor walks past Rose.)
ROSE TYLER: (quietly) I'll have to tell his mother.
(The Doctor stops and looks at Rose. He's confused by her comment.)
ROSE TYLER: Mickey. (angry) I'll have to tell his mother he's dead, and you
just went and forgot him again. You were right. You are alien.
THE DOCTOR: Look, if I did forget some kid called Mickey --
ROSE TYLER: (shouts) He's not a kid!
THE DOCTOR: (louder) -- It's because I'm busy trying to save the life of every
stupid ape blundering about on top of this planet, all right?!
ROSE TYLER: All right.
THE DOCTOR: Yes, it is!
(Long pause, then a breath. Their anger gone as they both sulk.)
ROSE TYLER: If you are alien, how come you sound like you're from the north?
(He crosses his arms in front of him.)
THE DOCTOR: (disgruntled) Lots of planets have a north.
(She looks at the TARDIS.)
ROSE TYLER: What's a ... (reads) 'police public call box'?
THE DOCTOR: It's a telephone box from the 1950's. (He grins affectionately at
his ship and puts a hand on the blue wooden frame.) It's a disguise.
(Rose shakes her head trying to make sense of it all.)
ROSE TYLER: Okay, and this living plastic; what's it got against us?
THE DOCTOR: Nothing. It loves you. You've got such a good planet lots of
smoke and oil, plenty of toxins and dioxins in the air. Perfect. Just what the
Nestene Consciousness needs. Its food stock was destroyed in the war. All its
protein planets rotted. So. Earth. Dinner.
ROSE TYLER: Any way of stopping it?
(Oh yes there is. He takes out a tube of a clear, dark blue liquid. He grins
at her.)
THE DOCTOR: Anti-plastic.
ROSE TYLER: Anti-plastic?
THE DOCTOR: (runs a finger along the tube) Anti-plastic! But first, I've got
to find it. (He walks over to the wall that over looks the river.) How can you
hide something that big in a city this small?
ROSE TYLER: Hold on -- hide what?
(He turns around and looks at her.)
THE DOCTOR: The transmitter. The Consciousness is controlling every single
piece of plastic so it needs a transmitter to boost the signal.
ROSE TYLER: What's it look like?
(He walks over to the other side of the pillar.)
THE DOCTOR: Like a transmitter, round and massive somewhere slap bang in the
middle of London.
(He faces Rose as he continues to describe what he's looking for.)
THE DOCTOR: A huge metal circular structure like a dish, like a wheel, radial,
close to where we're standing. It must be completely invisible.
(The London Eye. Unbeknownst to him, the London Eye is right behind him. Rose
can't believe it.)
THE DOCTOR: What?
(She looks at it just behind him. Duh. The Doctor turns around. He doesn't'
see it. He looks back at Rose.)
THE DOCTOR: What?
(Rose nods at it again. The Doctor again turns and looks behind him. He still
doesn't see it. He looks at Rose.)
THE DOCTOR: What is it? What?
(Rose takes a deep breath. The Doctor turns around, then turns to look at Rose.
It finally registers.)
THE DOCTOR: Oh.
(The Doctor turns and looks at it. When he looks at Rose, he gives her a huge
smile.)
THE DOCTOR: Fantastic!
(And he dashes off. Rose takes off right with him.)
[EXT. STREETS OF LONDON - NIGHT -- CONTINUOUS]
(The Doctor and Rose are running along the bridge. As they run, The Doctor
holds his hand out - Rose grabs it - and they continue out of frame without
missing a beat.)
VARIOUS CUTS OF: The Doctor and Rose run hand-in-hand along the bridge.
[EXT. THE LONDON EYE - NIGHT -- CONTINUOUS]
(They stop, the London Eye looming high above them.)
THE DOCTOR: Think of it. Plastic, all over the world, every artificial thing
waiting to come alive. The shop window dummies, the phones, the wires, the
cables.
ROSE TYLER: The breast implants.
THE DOCTOR: (looking around) Still, we've found the transmitter. The
Consciousness must be somewhere underneath.
(Rose looks around and dashes off out of frame. She runs to the wall and looks
down.)
ROSE TYLER: What about down here?
(The Doctor runs to Rose and looks over the wall.)
THE DOCTOR: Looks good to me.
(He and Rose both head down closer to the London Eye. They reach the concrete
platform with a lid on it. He twists the lid open. Inside is red hot - steam
and heat rising out from the hole.)
(The Doctor climbs down.)
[INT. UNDERGROUND - NIGHT -- CONTINUOUS]
(The Doctor climbs into the tunnels. He looks around and finds the room area
small. There's a large metal door in one wall. Rose climbs down after him. He
stops in front of the door, waits for Rose, then opens it.)
[INT. UNDERGROUND COMPLEX - NIGHT -- CONTINUOUS]
(They enter a series of catwalks and levels leading down the side of a large
industrial-sized room. It's grimy and dingy - thick, heavy ropes and chains on
pulleys hang down from the ceiling. They walk down one level. The Doctor looks
down. Rose is next to him.)
THE DOCTOR: The Nestene Consciousness. That's it inside the vat, a living
plastic creature.
(Down several more levels in the center of the huge room is a large vat of
molten, moving, red-hot liquid plastic.)
ROSE TYLER: Well then, tip in your anti-plastic and let's go.
THE DOCTOR: I'm not here to kill it. I've got to give it a chance.
(The Doctor and Rose head down another level. The Doctor stops at the railing
and looks down at the vat below.)
THE DOCTOR: (formally) I seek audience with the Nestene Consciousness under
peaceful contract, according to Convention Fifteen of the Shadow Proclamation.
(The molten plastic in the vat moves, growling fills the air.)
NESTENE CONSCIOUSNESS: (rumbles)
THE DOCTOR: Thank you. If I might have permission to approach.
(Meanwhile, Rose is moving down the metal steps. She looks over the railing and
sees Mickey sitting hunched and cowering on a concrete bench below. He turns
around and sees Rose.)
ROSE TYLER: Oh, God.
(Rose runs down the steps. She runs past the Doctor who sees her, rolls his
eyes and shakes his head. Domestic.)
(Rose runs down the steps. The Doctor follows.)
ROSE TYLER: Mickey, it's me! It's okay. It's all right.
(Rose reaches Mickey, who is very, very scared. He shushes her.)
MICKEY SMITH: (points) That thing down there the liquid, Rose, it can talk.
ROSE TYLER: (to Mickey) Oh, you're stinking. (She turns as the Doctor reaches
their level.) Doctor, they kept him alive.
THE DOCTOR: Yeah, that was always a possibility -- keep him alive to maintain
the copy.
(He continues toward the steps.)
ROSE TYLER: You knew that and you never said?
THE DOCTOR: Can we keep the domestics outside, thank you.
(The Doctor continues down the steps to the next level. Rose stands up to
watch. The Doctor stands in the center of the platform overlooking the vat.)
THE DOCTOR: (formally) Am I addressing the Consciousness?
NESTENE CONSCIOUSNESS: (rumble)
(A huge lump rises out from the vat, protruding and moving shape as the Doctor
talks. Living. Plastic.)
THE DOCTOR: Thank you. If I might observe, you infiltrated this civilization by
means of war, shunt technology. So, may I suggest with the greatest respect
that you ... shunt off.
(The lump shakes and rumbles angrily.)
NESTENE CONSCIOUSNESS: (angry rumble)
THE DOCTOR: Oh, don't give me that. This is an invasion, plain and simple.
Don't talk about constitutional rights.
(The lump sways angrily from side to side, roaring and rumbling in response.)
NESTENE CONSCIOUSNESS: (furious rumbling)
THE DOCTOR: (shouts firmly) I AM TALKING!!
(The Nestene Consciousness silences.)
THE DOCTOR: This planet is just starting. These stupid little people have only
just learnt how to walk, but they are capable of so much more. I'm asking you
on their behalf. Please, just go.
(Behind the Doctor, two store mannequins step out and flank him on either side.
Rose sees them.)
ROSE TYLER: (shouts) Doctor!
(They grab him from behind. The Doctor struggles against their hold. He turns
and looks up at Rose who looks helplessly down at him.)
(As one of the mannequins holds him, the second takes the anti-plastic out from
his jacket pocket.)
(The Nestene Consciousness roars.)
THE DOCTOR: That was just insurance. I wasn't gonna use it!
(The mannequin holding the anti-plastic backs away from him. Just out of
reach.)
(The lump in the vat sways angrily from side to side.)
NESTENE CONSCIOUSNESS: (accusing rumbling)
THE DOCTOR: I was not attacking you. I'm here to help. I'm not your enemy. I
swear, I'm not.
NESTENE CONSCIOUSNESS: (rumbling)
THE DOCTOR: What to you mean?
(He turns and sees the TARDIS on the platform above him, near Rose and Mickey.)
THE DOCTOR: No. Oh, no. Honestly, no!
NESTENE CONSCIOUSNESS: (rumbling)
THE DOCTOR: Yes, that's my ship.
NESTENE CONSCIOUSNESS: (rumbling)
THE DOCTOR: That's not true! I should know, I was there! I fought in the war!
It wasn't my fault. I couldn't save your world. I couldn't save any of them.
NESTENE CONSCIOUSNESS: (roars)
ROSE TYLER: What's it doing?
THE DOCTOR: It's the TARDIS. The Nestene's identified it as superior
technology. It's terrified. It's going to the final stage. It's starting the
invasion. Get out, Rose. Just leg it! Now!
(But Rose doesn't leave. She takes her phone out and dials.)
ROSE TYLER: (to phone) Mum?
INTERCUT WITH:
[EXT. POLICE STATION - FRONT STEPS -- NIGHT]
(Jackie is on the phone and headed down the front steps.)
JACKIE TYLER: (to phone) Oh, there you are. I was just gonna phone. You can
get compensation, I said so. I've got this document thing off the police.
Don't thank me.
ROSE TYLER: (to phone) Where are you, mum?
JACKIE TYLER: (to phone) I'm in town.
ROSE TYLER: (to phone) No. Just go home, just go home right now.
JACKIE TYLER: (to phone) Darling, you're breaking up. I'm just gonna do a
little bit of late-night shopping. I'll see you later, Ta-Rah.
(She hangs up, leaving Rose shouting to her phone.)
ROSE TYLER: (to phone) Mum? Mum?
(Jackie turns and heads for the QUEENS ARCADE.)
[INT. UNDERGROUND COMPLEX - NIGHT -- CONTINUOUS]
(Suddenly, a huge bolt of electricity fires out from the vat and upward to the
London Eye above.)
THE DOCTOR: (shouts) It's the activation signal! It's transmitting!
(The Doctor is being held fast by one of the mannequins. He struggles, but
can't get out of the hold on him.)
(More and more electricity is fed upward.)
[EXT. LONDON EYE - NIGHT]
(Bolts of electricity rise up from the ground and move to the center of the
London Eye. It crackles as it gathers energy.)
[INT. UNDERGROUND COMPLEX - NIGHT -- CONTINUOUS]
(Rose and Mickey look up.)
ROSE TYLER: It's the end of the world.
(The Nestene Consciousness continues to feed electricity upward.)
[EXT. LONDON EYE - NIGHT]
(The electricity lights up the London Eye ... and finally transmits the signal
out - huge waves of sound pulsate out from its center.)
[INT. QUEENS ARCADE -- NIGHT]
(Clive, Caroline and their son walk through the mall.)
CLIVE: There's no point in creating a spreadsheet if you're going to spend
summer money in winter months.
(They pass by a mannequin in the window display. It moves.)
CAROLINE: (gasps) Oh, my god! I thought they were dummies. I nearly had a
heart attack.
(They stop and watch the mannequins in the window display move. Clive doesn't
like the looks of it. He looks around at the other window displays and sees
that the mannequins are all moving.)
(The shoppers have stopped to watch the mannequins move.)
(The mannequins smash through the window glass. Clive steps in front of his
family. More mannequins smash through the window glass and steps out into the
mall.)
[INT. QUEEN'S ARCADE - ESCALATORS -- NIGHT]
(Jackie rides down the escalator. In front of her, she sees the mannequins
stepping out of the shops and hears more glass shattering. The shoppers watch
amused.)
(Children mannequins step out from the toy store.)
(Jackie steps off the escalator.)
[INT. QUEEN'S ARCADE - NIGHT]
(The mannequins in the windows in front of Clive and his family step down into
the mall.)
CLIVE: It's true. Everything I read, all those stories, it's all true.
(The mannequin nearest Clive raises his hand, palm to the side. The fingers
drop open and a gun muzzle points directly at Clive.)
(The gun fires.)
(Caroline screams.)
[INT. UNDERGROUND COMPLEX]
(The huge lump in the vat screeches and screams. The Doctor struggles against
the mannequin holding his arms behind his back.)
THE DOCTOR: Get out, Rose! Just get out! Run!
(Part of the roof collapses.)
ROSE TYLER: The stairs have gone.
(Rose runs to the TARDIS. Mickey joins her. They both tug at the locked door.)
ROSE TYLER: I haven't got a key!
(The Doctor looks over at the tube of anti-plastic held in the second
mannequin's hand. So close, yet out of reach.)
MICKEY SMITH: (groans) We're gonna die.
[INT. QUEEN'S ARCADE - ESCALATORS]
(In front of the escalators, Jackie stares horrified at the mannequins wrecking
havoc in the mall. The shoppers scream. Rampant gunshots ring out.)
(Caroline and her son run screaming through the mall. They run in front of
Jackie, turn and run in another direction.)
(More mannequins are riding down the escalators, firing randomly into the
screaming crowd.)
(Stunned, Jackie hasn't move. She looks around - mannequins in front -
mannequins behind her - mannequins all around. Suddenly, she screams, tosses
her shopping bag and runs like hell.)
(The mannequins continue to advance.)
[INT. UNDERGROUND COMPLEX]
(Rose and Mickey are huddled in front of the TARDIS door. The Doctor struggles
against the mannequin holding him.)
(Rose looks around the large room for something to get them out.)
(The Doctor continues to struggle - the tube of anti-plastic just out of reach
of him.)
(Rose continues to look around the room for something - anything --
[EXT. QUEEN'S ARCADE - STREET FRONT]
(Jackie runs out onto the street along with other shoppers. Caroline and her
son run screaming next to her.)
(But the street is no better. Chaos. Complete and utter chaos. Mannequins
fire gunshots randomly at people. A large two-deck bus is on fire, trash
litters the street.)
(Jackie gasps and looks around. The mannequins from the store have followed the
shoppers and just now exit the front doors. Jackie backs away.)
(She ducks and takes cover behind an abandoned car and watches the mannequins
advancing.)
(In the store display window behind her, three mannequins dressed in bridal
gowns move. They raise their arms and smash through the glass. Jackie whirls
around and screams.)
[INT. UNDERGROUND COMPLEX]
(Meanwhile, back underground, nothing has changed. The Doctor continues to
struggle to get out of the mannequin's grip while the tube of anti-plastic is
just in front of him.)
(Rose and Mickey are huddled in front of the TARDIS door, but Rose doesn't
appear cowered. She watches the Doctor from above.)
(He turns and looks at her.)
(We hold on Rose.)
[EXT. QUEEN'S ARCADE - STREET FRONT]
(The three bridal mannequins step out from their display windows. They advance
on Jackie. She backs away and runs out into the streets.)
[INT. UNDERGROUND COMPLEX]
(Rose watches the Doctor. The Doctor continues to struggle.)
(Suddenly, Rose lets go of Mickey and rises to her feet. She's through
cowering. Scared, but determined to help, she watches the Doctor.)
(The Doctor struggles, but glances back to see Rose on her feet. The two look
at each other.)
(Mickey clutches Rose's leg.)
MICKEY SMITH: (screams) Just leave him!
[EXT. QUEEN'S ARCADE - STREET FRONT]
(Jackie cowers - her back to the burning red bus. She wails as the three bridal
mannequins get closer and closer to her.)
JACKIE TYLER: Ahh!
(The mannequins raise their hands - their fingers pointed at her.)
[INT. UNDERGROUND COMPLEX]
(Rose takes off running to the side.)
MICKEY SMITH: There's nothing you can do!
(She runs to the wall and picks up the fire ax resting on the wall near the
pipes. She appears to have a half-formed plan in mind. INTERCUT with Jackie
and what's happening on the outside world as she speaks.)
ROSE TYLER: (determined) I've got no A-levels --
[EXT. STREET]
(Jackie covers her eyes and dares a peek at the three bridal mannequins.)
CU: THE HAND
(Unhinges to show the muzzle of a gun pointed straight at her.)
[INT. UNDERGROUND COMPLEX]
(Rose raises the ax and stares at something in front of her - the ax raised and
poised to cut.)
ROSE TYLER: -- no job, ...
[EXT. STREET]
CU: THREE HANDS
(The center hand opens to reveal a muzzle. All three hands are open and pointed
at Jackie.)
[INT. UNDERGROUND COMPLEX]
ROSE TYLER: -- no future, --
[EXT. STREET]
XCU: HAND
(The third hand opens. Jackie dares to look at them.)
[INT. UNDERGROUND COMPLEX]
ROSE TYLER: (fiery determination) -- but I'll tell you what I have got, --
(She strikes twice and smashes the wall ring holding the heavy chain down.)
ROSE TYLER: -- Jericho Street Junior School Under-7's Gymnastic's team.
(She grabs the chain and pulls.)
ROSE TYLER: I got the bronze.
(With a firm grip on the chain, she runs - jumping off the platform and hurtling
herself toward the mannequin holding the Doctor.)
ROSE: Ahh!
(She nicks the mannequin enough for the Doctor to bend over and throw him over
his head, off the platform - and into the vat of molten plastic below.)
(The momentum carries her forward and she knocks the second mannequin holding
the tube of anti-plastic off the platform completely and into the vat as well.)
(The two mannequins fall into the vat - the tube pops open, the anti-plastic
spilling into the molten living plastic.)
(The Nestene Consciousness screams and surges upward)
(Rose swings back to the Doctor on the platform.)
THE DOCTOR: Rose!
(He grabs her, holds her and stops her from swinging. She lets go of the chain.
With a huge grin on his face, he turns and looks down at the Nestene
Consciousness.)
NESTENE CONSCIOUSNESS: (screeches and roars)
THE DOCTOR: (to Rose) Now we're in trouble.
(He turns and takes off running to the side. Rose follows him.)
(The ceiling explodes.)
[EXT. THE LONDON EYE]
(The signal being set out - stops. The lights in the London Eye dim.)
[EXT. STREET]
(The bridal mannequins start jerking around, out of control.)
(Jackie peeks at them from behind her fingers and sees them moving away from
her, their movements jerky and twisty.)
(Jackie looks around and sees that all the mannequins in the street have lost
control.)
[INT. UNDERGROUND COMPLEX]
(More explosions rock the underground complex.)
(Mickey is hugging the TARDIS doors. In the background, the Doctor and Rose
climb up the stairs.)
(Mickey glances back at the Consciousness as it screams.)
(FAR HIGH SHOT: The Consciousness crusts over and cracks with white blinding
light. It screams. It surges up and to the side. The Doctor and Rose reach
the TARDIS.)
(The Doctor takes his key out and unlocks the door while Mickey's still hugging
the blue box. He opens the door. Mickey and the Doctor get inside.)
(Rose pauses and looks at the Consciousness below - screaming, crusting and
cracking with blinding white light. Satisfied that its finished, she slips into
the TARDIS and closes the door.)
(A large explosion rocks the complex. A second explosion follows.)
(The Consciousness continues to scream.)
(Above all the noise, the TARDIS engines grate, grind and pulsate.)
(More explosions rock the complex.)
(The TARDIS disappears.)
[EXT. STREET]
(The mannequins out in the street continue their jerky, twisty dance. One-by-
one, they fall to the ground - one final twitch before they stop moving
completely.)
(The bridal mannequin falls to the ground. Her plastic head falls off and rolls
at Jackie's feet.)
(Jackie stops and looks around. The mannequins have fallen.)
(She slowly get up. Other people also get up. Jackie walks along the street,
looking at the devastation and the mess.)
[EXT. ALLEYWAY - NIGHT - CONTINUOUS]
(The TARDIS materializes on the street. The door opens and Mickey runs out
putting as much distance as he can from the blue box.)
(He continues to run all the way until he's stopped by a wall and an old wooden
pallet leaning against it. Rose exits the TARDIS slowly, calmly, her cell phone
in hand as she dials.)
INTERCUT WITH:
[EXT. STREET]
(Jackie's phone rings. She answers it.)
JACKIE TYLER: (to phone) (desperately) Rose, Rose, don't go out of the house.
It's not safe.
(Rose chuckles, pleased to hear her mother's all right. In the background, we
hear sirens getting louder.)
JACKIE TYLER: (from phone) There are these things and they were shooting and
they --
(Rose hangs up.)
JACKIE TYLER: (to phone) Hello? Hello?
(The police car arrives and stops in front of her. Jackie closes her phone.)
[EXT. ALLEYWAY - NIGHT - CONTINUOUS]
(Rose puts her phone away and heads over to Mickey.)
ROSE TYLER: Fat lot of good you were.
(She runs over to him. Mickey sees something behind her and whimpers. Rose
turns around to see the Doctor in the TARDIS doorway, leaning casually against
the door.)
THE DOCTOR: Nestene Consciousness? (snaps his fingers) Easy.
ROSE TYLER: (cheekily) You were useless in there. You'd be dead if it wasn't
for me.
THE DOCTOR: (gratefully) Yes, I would. Thank you.
(They smile at each other.)
THE DOCTOR: Right then, I'll be off ... unless, uh, I don't know, you could
come with me. (Rose is quiet. She knows his offer is sincere.) This box isn't
just a London hopper, you know. It goes anywhere in the universe free of
charge.
MICKEY SMITH: (scared) Don't. He's an alien. He's a thing.
THE DOCTOR: (pointedly) He's not invited. What do you think?
(Rose is still quiet. And tempted. Oh, how she's tempted.)
THE DOCTOR: (continuing) You could stay here, fill your life with work and
food and sleep or you could go, uh ... anywhere.
ROSE TYLER: Is it always this dangerous?
THE DOCTOR: (nods) Yeah.
(Mickey grabs Rose by her waist and clutches her. He doesn't want her to go.)
ROSE TYLER: Yeah, I can't. I've got to go and find my mum. And someone's got
to look after this stupid lump so ...
(The Doctor stares at her -- quietly sad.)
THE DOCTOR: Okay. See you around.
(Rose is quiet. The Doctor doesn't smile as he slips back into the TARDIS.)
(The door shuts; the opportunity gone with it. Rose watches as the TARDIS
engines grind and pulsate. The light on the top of the roof flashes and TARDIS
slowly fades away.)
(It's gone. Rose doesn't take her eyes off the empty spot, feeling as though
the opportunity of a lifetime has vanished with it. Then --
ROSE TYLER: (quietly) Come on, let's go. Come on, come on.
(Rose helps pick Mickey up and they start down the alley.)
(As she walks, Rose glances back behind her, then continues on.)
(Then out of nowhere, the TARDIS engines sound -- again. A strong wind picks up
and Rose turns around. She and Mickey stop and watch as the TARDIS fades back
into the alleyway.)
(The door opens and the Doctor appears in the doorway.)
THE DOCTOR: By the way, did I mention, it also travels in time?
(He smiles at her.)
(Rose looks at him, a smile in her eyes.)
(The Doctor steps back - the TARDIS door wide open.)
(Rose turns to Mickey.)
ROSE TYLER: Thanks.
MICKEY SMITH: Thanks for what?
ROSE TYLER: Exactly.
(She steps forward and kisses Mickey on the cheek.)
SLOW MOTION:
(Rose turns and RUNS at full speed toward the TARDIS -
CUE END MUSIC
-- a huge smile lights her face as she runs toward the blue box. She slips
inside; the door closes behind her.)
CUT TO:
[TITLE LOGO]
INSERT: PREVIEW FOR NEXT EPISODE
ROLL END CREDITS
==========================
END OF EPISODE
==========================
Transcript by Intrepid
Courtesy of http://www.kilohoku.com/
Contact the Transcriptionist at (intrepidly002@yahoo.com)
Do not archive this transcript without written permission from the
Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
DOCTOR WHO (2005)
1X01: ROSE
ORIGINAL AIR DATE IN UK: 03/26/2005
TRANSCRIBED FROM DVD
Starring:
CHRISTOPHER ECCELSTON as The Doctor
BILLIE PIPER as Rose Tyler
Produced by: PHIL COLLINSON
Written by: RUSSELL T DAVIES
Directed by: KEITH BOAK
==========================
END CREDITS
==========================
Cast:
CHRISTOPHER ECCLESTON as Doctor Who (The Doctor)
BILLIE PIPER as Rose Tyler
CAMILLE CODURI as Jackie Tyler
NOEL CLARKE as Mickey Smith
MARK BENTON as Clive
ELLI GARNETT as Caroline (Clive's wife)
ADAM McCOY as Clive's son
ALAN RUSCO, PAUL KASEY, DAVID SANT, ELIZABETH FOST, HELEN OTWAY as Autons
NICHOLAS BRIGGS as Nestene Voice
Autons originally created by ROBERT HOLMES
1st Assistant Director: GEORGE GERWITZ
2nd Assistant Director: STEFFAN MORRIS
3rd Assistant Director: DAFYDD THYS PARRY
Location Managers: CLIVE EVANS / LOWRI THOMAS
Production Co-ordinator: DATHYL EVANS
A/Production Accountants: DEBI GRIFFITHS / KATH BLACKMAN
Continuity: SILAN PROSSER
Script Editor: ELWEN ROWLANDS
Camera Operators: MIKE COSTELLOE / MARTIN STEPHENS
Focus Pullers: STEVE LOWES / MARK ISAAC
Grip: JOHN ROBINSON
Boom Operator: DAMIAN RICHARDSON
Gaffer: MARK HUTCHINGS
Best Boy: PETER CHESTER
Stunt Co-ordinator: ROD WOODRUFF
Stunt Performers: HOLLY LUMSDEN / PAUL KULIK
Art Dept Co-ordinator: GWENLLION LLWYD
Concept Artist: BRYAN HITCH
Production Buyer: CATHERINE SAMUEL
Set Decorator: PETER WALPOLE
Supervising Art Director: STEPHEN NICHOLAS
Standby Art Director: JULIAN LUXTON
Property Manager: PATRICK BEGLEY
Construction Manager: ANDREW SMITH
Standby Props: PHILL SHELLARD / ADRIAN ANSCOMBE
Graphic Artist: JENNY BOWERS
Wardrobe Supervisor: YOLANDA PEARL-SMITH
Make-Up Supervisor: LINDA DAVIE
Make-Up Artist: SARA WILSON
Casting Associate: KIRSTY ROBERTSON
Assistant Editor: CERES DOYLE
Post Production Supervisor: MARIE BROWN
On-Line Editor: MATTHEW CLARKE
Colourist: KAI VAN BEERS
2D VFX Artists: SIMON C. HOLDEN, DAVID BOWMAN, SARA BENNETT, ALBERTO MONTANES,
JENNIFER HERBERT
3D VFX Artists: ANDY HOWELL, CHRIS TUCKER, JEAN-CLAUDE DEGUARA, MARK WALLMAN,
PAUL BURTON, CHRIS PETTS, PARL PERROFF
Digital Matte Painter: ALEX FORT
Model Unit Supervisor: MIKE TUCKER
Dubbing Mixer: TIM RICKETTS
Dialogue Editor: PAUL McFADDEN
Sound FX Editor: PAUL JEFFERIES
Finance Manager: RICHARD PUGSLEY
Original Theme Music: RON GRAINER
Casting Director: ANDY PRYOR CDG
Production Accountant: ENDAF EMYR WILLIAMS
Sound Recordist: IAN RICHARDSON
Costume Designer: LUCINDA WRIGHT
Make-Up Designer: DAVY JONES
Music: MURRAY GOLD
Visual Effects: THE MILL
Visual FX Producer: WILL COHEN
Visual FX Supervisor: DAVE HOUGHTON
Special Effects: ANY EFFECTS
Prosthetics: MILLENNIUM EFFECTS
Editor: MIKE JONES
Production Designer: EDWARD THOMAS
Director of Photography: ERNIE VINCZE B.S.C.
Production manager: TRACIE SIMPSON
Associate Producer: HELEN VALLIS
Executive Producer: RUSSELL T DAVIES
Executive Producer: JULIE GARDNER
Executive Producer: MAL YOUNG
BBC Wales
bbc.co.uk/doctorwho
(c) BBC MMV
Dated:07/23/2006~lky
http://www.kilohoku.com/
I am making an internet based family site- and here's my guest book so far.
Guest Book
Ahh, welcome to my guest book( well, if you add your say to this you may be cool!) call 01827 28 28 61 to join!
Post Message
Well, I guess this site is going pretty well, yes, i, as the site owner, love it. It has things about my favourite stuff: doctor who, harry potter, wallaca and gromit, star wars gaming and oliver- and my own other stuff that i am sure my wonderful website users could definetely make brilliant use of.
Cameron Johnson on July 18, 2007
edit · delete
End of this pages comments.
Welcome, well i'm not really gonna stop writing!
My own wordsearch to print( copy and paste first)
Cameron's blog Wordsearch
X L Q I K U I O H Z Q F U G T H J I G V G R Q P H R Q D F E G Z Z O K W I N Q V T R D U R W B Y T E
X G M Z L B I G P Y O B X E V O S Z U Y H H V U Q T O U S U U G D G L N V X K C B P N H R H G C Q O
A C W K I A B B R D G G H E Z R I K K P F W A A K C C R A W E N K G U O Y A N P J D E S A R M K M U
Q N P F M E M O S U Y M J U D M R D N J A H W W C P T I Q K E X B C I U M X A W A A T P G G O Z B N
V V O A N O L G I W M N Q V F S E G C C H F O T G Y V U X W K E R Z F S N I V E L X B S E T R T X G
H T P R X L F C E I M J H M U N Z H E I T S Y C K W C V X R J L E R F M O L L T H V O O G W Z B Y P
V S T H P C O X R F L W G N R V L T A E R N F C L R V R A I B O R Q I H E P N S E B W R C E W B X Y
D N Q W B T D Z D K U M K S X L D B H B D L F J E X N S P O X L T I Q M L E Q U R D V J U N A E M B
E G U M G F Q C G C T L A N L R S L Y U W M J E Z Q V I B C S Y Q N H B A F M S U B Y Q H N L O C N
F U V Q Y Q R H R Q L A P U J H E J C Z J W I K H T C F U W A S Q Q G O P O E V R C Q M N A L W C B
K U S H J A Y E F D W Z L S M D C S W E X Z F W S D O W A O J F Z Y R I H O N I J T D A D I A G L M
L P G N D E A F E X L D B I A H H G Y R W J A K X R A W R L B B I C O K W W S C T G N O V H C T L T
X O T P A K V X S V K U Q O A T I R J G Z G C A D R L C R C L O E F F D N O R E M A C E F R E H D U
Q C F K N M H U Q O F W H B J P U E W B R S O A X Y O L R X Z I W X T B O I B O S S R A W R A T S P
Y N O D J I G D P F G J L M G F Q V S O V C S J Y F Y B V P T X Z Q R K Q H M I T P O H D R N T Q O
L N V J X N V S F V P P C S R O W T N J Y L A F L U O B M F D K N I T S Y T N U O C Y B R E D D D V
Q U F Z N N V R V M P X E V R M E T M U E H K H Z B U P E K D P K N T X Z P L O M R O Y A W G G R L
V W M I T U H O F B R D P T F U B M X D Y H P G L O S G M N M G Z U W S Y Y L D K S P D H K R P T T
E U V S A O A Y Z R S Y E B B T M Z Y G V T J B O M V D A C E O M V R J G R I D O O W H C R O T S A
K J J F V M C Z R O H D I R Y M S J L P T I S N X I O S I I E K X V A A O A B W T Q V C I I M P C B
J W M T D E R U L Q Q H G M Q B V G C S W E H H Y X L X E I B U H M P C N T T T T W J C R G I Y Z Z
S R S R J P N R E V Z Y Q B X Q N V J B F G Z X X S N A G I D R A Y K C A B E R K S J W E M T V I R
U A V H U Q H D V A V R B Z C T M Y V Y A J T Y C J O Z K F P S H A B E K R Z P O H I U L K X S X M
L A O C J F N Y S Z E L C E N U F T J X F Y K Z Q Z T I A M O O V P F B C Z B H V K G O X Y T A W E
T X R S R X T L V S P F S U L T E J C V B S I O Z S D L C O L Q P O N B V E M Y Z L O A Y E S W Y B
V M L Y M B K D Q M U G U B F U G Q U N V R N V N Z R E H R J L O G P E Z P N U M Z V W U P N I A N
O G K B W O T I I P R T S U K Z C T R C J M Z V E Y B M X U L P B K Q R B T E C T R W X X A R F D Z
Y K R C Q H M K S L F E A Y U M E J V R A Z V E X F Z T P G V O G C R Y U V T D F X Z K M W W L O N
P S Q U K O Q N H B A Y U N S R I Z N A I A M I D V T R R P P Y S B O Y G J E T C C N R V O I Z Y L
H F C S N P Y N J T X P H Q K X I U C J N U R A P X S G D Z T L R W T X K Q R R V L K D R K Y J M V
T E S P J Y V Z G G D O D E E J D F D J P M R G X V V G R Q N K A K T Z J D R I F H K P H T J C Z I
U S A A L N G J T A V U Z X R U S Y A Q T K J Z Z B N T N D W I N F N R S E J M P S C K U M X P J P
Q N N M Z W U C C W Z H N V S M C X E L N A Z P Q I M G M M C J I O E J Y C T I E F Y I X H F B Y Q
I W L L Z T O H H S D I C P V J S U N S U M U K T Y S U Y H E K P G W T O L B U S R N F H P I N O O
K T W V Z W W Y P I U J Y T J I J A A H J D Y H E N Q Y M C K E F W R A F R D F Y R R L G B X P F A
S K O Y H D F T Z W V U E P D S H Z X O H F R M K V J C T H K T U O Y N L S J V Y F C Z O F P G X C
O Z E F N C W F Q V R B P Q O W Z I G P R S U E U D L T O L X L Q H P Y O M K U Q S L O W P I O F T
L O E I U X M Q N W C F M F R X H A U M F R W D U L F P H S F F W E W N F O Q W Q F G K Y P G H C C
G B C W N P J R M V O M B F C V K G V G N K B Y P R W T T V Y D W D D G N Z G E E F O U J B C I O F
P E Z D M U S R A U A W Z N H A G T L Z B P P V Z S A Q Q T A N L C U A P U N S H T T X I F C V T L
D Z B R K P G H Z N N K B K Y J T U M W J Y F B R O A B R U D R I R G G W Q X Y B J U F Y Y P K Q B
B X N O H C P N C A F A X X V R T G G C N A A V L A Z J X R F L M W G S B I H K P Y A R R N K Q O P
W E P Z Q O O U K U M M G R R P V M B D N X O U K X X X W G S F Z Z R F R G D L N K U I P J T B N D
V X B Q Z L P X E N Z E F Z W S G C Y M E V Q I J O Y E S D R T X A T I Y U X U Y S N A C V V M X C
F Z U W Z S T P C T O S N M T Z I N L T Q S V Y H N L Q D N D O H J Y M W T N V X U S I O Z C O Z N
G A W I O B G F H B X M Y X H R P P O D S B X D A K B C U G I E E J K Z A O X M T W V M P W L B B K
I E P K T X P B F Q N F F N L Z M H S R D G X X L R Z Z L B V P F D Y R A S H N C C Q E G M Y C F U
B C P P Q J X O M Z Z T U M I O C S J P B C X B P Y E E A T A L Q Z N W P J M R S E W H X Z N G K O
T B U A U G P P I A I O G C W B N W Z Q K W G J Y I A Z P B V R I R Y N O Z E T Z K B W Y F Z G M L
X V R H H H Y W W A T Y G Y Q H L B K V P T N L B M W V Y D R P I X R T L B T E P Q I S K K Q C N G
ALEX
BACKYARDIGANS
BANNANASINPYJAMAS
CAMERON
DAD
DERBYCOUNTYSTINK
DOCTORWHO
ELIZA
HARRYPOTTER
LIVERPOOLROCK
MOM
OLIVER
REBBECCA
RHIANNE
RICHARD
STARWARS
TORCHWOOD
WALLACEANDGROMIT
18 of 18 words were placed into the puzzle.
Here's my puzlle but neater!
Cameron's blog Wordsearch
M C F C J J R B E P K N S D Y H L M E A G H B
Q V S A M A J Y P N I S A N A N N A B O R U T
P F W A L L A C E A N D G R O M I T A O N L N
I L K T J I F Q P P R A R E B B E C C A A K P
R H Y W H D V N G H I Y I Q M A Z K K N K T M
H H T X W O K E D D P Q G H L R P Z Y R N V Q
N N A Z D O H W R O T C O D R A W X A O A R J
C S O F I W Q A T P Y V M S L Z O A R Z E F Q
U C E F V H H T S B O P V R J L V E D V I Q L
I N I B A C E F F Q O O A A W V M V I U Y Q T
K G Q H I R M O V R P E L W M A T L G U Q D W
M S Y R P O V H M N Y E T R C X O B A Z I L E
G J T Q M T I Z V Y X W Y A O H P B N K C U Y
R P N I A L X S L S S O C T I C H W S Q T K V
W Q W A W J X L Z B D H K S K M K K W O O R P
ALEX
BACKYARDIGANS
BANNANASINPYJAMAS
CAMERON
DAD
DOCTORWHO
ELIZA
HARRYPOTTER
LIVERPOOLROCK
MOM
OLIVER
REBBECCA
RHIANNE
RICHARD
STARWARS
TORCHWOOD
WALLACEANDGROMIT
Even Neater!
Cameron's blog Wordsearch
C U D E G G Q O I G R B N E B B Y
T I M O R G D N A E C A L L A W C
A E D L C A Y S T M L Z B X C A E
C K O I S T M T T E U I F W K Z C
M P O V I B O A X G U L M Q Y N G
O A W E V P M R E B B E C C A C B
X G H R Y N D W W X N C J R R W A
M O C R P J O A D H Q K C H D T R
W A R I C H A R D E O C Q I I X L
Z A O H K U O S E T I D H A G T D
H Q T P Q J R M G M Y X Z N A I E
S A M A J Y P N I S A N A N N A B
L I V E R P O O L R O C K E S T Y
B H Y H R Z L B P Q Q I P H P T O
F Y T V O L X R J K L G Q X A F Z
ALEX
BACKYARDIGANS
BANNANASINPYJAMAS
CAMERON
DAD
DOCTORWHO
ELIZA
HARRYPOTTER
LIVERPOOLROCK
MOM
OLIVER
REBBECCA
RHIANNE
RICHARD
STARWARS
TORCHWOOD
WALLACEANDGROMIT
(Over,Down,Direction)
ALEX(12,2,SW)
BACKYARDIGANS(15,1,S)
BANNANASINPYJAMAS(17,12,W)
CAMERON(12,13,NW)
DAD(7,7,SE)
DOCTORWHO(3,1,SE)
ELIZA(12,6,N)
HARRYPOTTER(1,11,NE)
LIVERPOOLROCK(1,13,E)
MOM(7,4,S)
OLIVER(4,2,S)
REBBECCA(8,6,E)
RHIANNE(14,7,S)
RICHARD(3,9,E)
STARWARS(8,3,S)
TORCHWOOD(3,11,N)
WALLACEANDGROMIT(16,2,W)
That was da solution! No cheters!
Criss cross!
Criss Cross of Doctor Who well the clues
Across
3. the devi'ls servants
8. Not excatly white.
9. Marge ypunger
11. Diseased helpers
14. A lonely timelord.
15. The blob king
16. a secret face of..
17. roar Marge Joseph
18. spiderwoman
19. the devil
Down
1. An evil metal race.
2. evil balls
4. pretofiold regression
5. Turns into boe
6. Hawoo!
7. A long suffering Boyfriennd
10. Master An evil timelord
11. evil diseased people
12. The companion who was blonde.
13. Santas of Doom
20 of 20 words were placed into the puzzle.
Created by Puzzlemaker at DiscoverySchool.com
Small wordsearch
Teeny weeny
W A B P S E U A P F
C A M E R O N L I M
C A D Q C F D E P Y
L K K H Q C N X H A
E P D P N R A U D T
ALEX
BECCA
CAMERON
3 of 3 words were placed into the puzzle.
Teeny weeny- but more words
D D F R U P C M B I F H
Y S A U L A D P D W S J
J L F D M C U S D V R E
Z Y M E M C U Q O H Q F
L B R J F E D D X Q E X
G O D D N B C B C P E D
N F L R H A X P H L R J
H G B S A Y I C A I K O
M O M T G C B I M I M N
U Y C K F Q I F N L N K
Y P C V Q A K R C G D K
I B M K J B Z I P V A G
Y S C H G P Z W W Z P Q
E N N A I H R M X D S Z
ALEX
BECCA
CAMERON
DAD
MOM
RHIANNE
RICARD
Teeny weeny- but more words
C X Q K E W
M T E O M K
O Q D L I B
F A C A A M
D E U T X O
B S O A H M
N R Y N Y S
A H I O C N
W I B R I X
Z A K E N N
M N Z M W R
X N F A U R
J E Q C I E
V S I C U C
X B A A M W
H R N V O H
D A C C E B
L M N V N A
M D L L J T
ALEX
BECCA
CAMERON
DAD
MOM
RHIANNE
RICARD
7 of 7 words were placed into the puzzle.
Neater!
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